Dark snow-covered evergreen path through winter woods

What if we Have Been Asking the Wrong Question About Paganism

Six diverse people dressed in symbol-decorated clothing linked by vines under a tree with mountains in background

Yesterday we were talking about rabbits.

Not the sort that sit politely at the edge of the garden, but the troublesome ones. The ones that appear for half a second, vanish into the undergrowth, and somehow convince you that following them is a perfectly reasonable way to spend an afternoon.

We have been doing quite a bit of that lately on Unplugged Pagan.

Following names.

Following books.

Following old festivals and forgotten communities.

Following ideas through academic papers, fieldwork, memories, rituals, histories and places until one question becomes another question, and that question opens a door into something we were not really looking for when we began.

This particular rabbit started with six names:

Shelley Rabinovitch. Dodie Graham McKay. Martin Lepage. Marisol Charbonneau. Marion Bowman. Barbara Jane Davy.

They did not all ask the same questions.

They did not all study the same communities.

They did not all approach Paganism from the same academic discipline, the same period, or even the same relationship to the communities they were describing.

And that matters.

Before we go any farther down this rabbit hole, there is something worth saying clearly.

The observations that follow did not simply appear out of thin air.

They exist because people did the work.

They interviewed practitioners. They attended gatherings. They observed rituals. They read histories. They documented communities that might otherwise have left very little public record. They wrestled with questions of identity, ethnicity, gender, ancestry, nature, ecology, ritual and belonging.

Some of them spent years doing it.

There is a tendency, especially online, to grab one interesting sentence from a scholarly work, turn it into a meme-sized idea, and forget the person who spent hundreds or thousands of hours getting us to that sentence.

I do not want to do that here.

So this rabbit hole is partly ours.

But the trail was cut by others long before we arrived.

What Happens When We Put Their Work Beside One Another?

At first I expected the common thread to simply be Paganism.

That would be the obvious answer.

Rabinovitch documented modern Pagan and Witchcraft communities and helped map the extraordinary diversity existing beneath those labels.

Charbonneau examined contemporary Paganism in Montreal and explored how ethnicity, language, diversity and cultural setting influenced the form Paganism took there.

Lepage went deeper into that same Montreal landscape and examined ritual, gender, sexuality and queer identity.

Bowman studied nature, Pagan identity and what scholars often call vernacular religion: religion not merely as institutions define it, but as ordinary people actually live it.

Graham McKay documented Canadian Pagan communities from within their lived world: gatherings, festivals, sacred places, people, stories and the strange collection of relationships that eventually turns an event into a community.

Davy has examined contemporary Heathen ritual, ancestors, gifting, ecology, reciprocity and the relationships created among humans, land, gods, ancestors and other-than-human beings.

Six people.

Six bodies of work.

Many different questions.

But when those bodies of work are placed beside one another, something begins appearing beneath the differences.

And I do not think that something is belief.

I think it is relationship.

Perhaps that is where we have been looking in the wrong direction all along.

Maybe Belief Was Never the Centre

When we ask what a religion is, we have been trained to begin with belief.

What do its followers believe about God?

What do they believe about death?

What scripture do they follow?

What commandments govern them?

What doctrines define who belongs and who does not?

That works reasonably well when discussing religions built around formal creeds, scriptures and institutions.

Then we wander into Paganism carrying the same measuring stick and immediately run into trouble.

What do Pagans believe about the gods?

Well.

Which Pagans?

Some speak to gods as beings with wills, personalities and presence.

Some understand them through myth and archetype.

Some speak primarily of spirits.

Some of ancestors.

Some of land.

Some of divinity woven through nature.

Some comfortably hold several of those possibilities at once and feel no great need to solve the theological puzzle for anyone else.

Ask what happens after death and the trail branches again.

Ask which scripture defines Paganism and there is silence.

Ask who has the authority to decide what Paganism believes and somewhere, I suspect, a thousand Pagans begin arguing before the question has even finished being asked.

Perhaps that is not a weakness.

Perhaps we have simply been asking Paganism to behave like religions built very differently from it.

Maybe the question is not:

What must Pagans believe?

Maybe the more revealing question is:

What relationships are Pagans trying to establish, maintain and understand?

Once you ask that, the landscape changes.

Paganism Happens Between Things

This is where I think the work of these scholars begins quietly speaking to one another.

Not because they all made the same argument.

They did not.

This is my synthesis of what becomes visible when their work is viewed together.

Paganism keeps appearing in the spaces between things.

Between a person and a god.

Between a person and the land beneath their feet.

Between the living and the dead.

Between a community and the place where it gathers.

Between inherited tradition and contemporary experience.

Between personal identity and collective expectation.

Between memory and the present.

Between who we were told we should be and whoever we are slowly becoming.

Marion Bowman’s work is especially valuable here because vernacular religion asks us to pay attention to religion as people actually live it.

Religion does not exist only in books, temples or official statements.

It happens around kitchen tables.

At gravesides.

On pilgrimages.

In family traditions.

At festivals.

In stories.

Around fires.

In the strange little practices people repeat because somewhere along the line those practices became meaningful.

People inherit traditions, but they also interpret them.

They adapt them.

They combine them.

They forget parts.

Recover others.

Create something new.

Religion remains alive because someone keeps entering into relationship with it.

Marisol Charbonneau’s work in Montreal shows us another part of that process.

Paganism grows somewhere.

And wherever it grows leaves fingerprints upon it.

Language matters.

Ethnicity matters.

Culture matters.

History matters.

The people in the room matter.

The city outside the ritual space matters.

Montreal is not merely the location where Paganism happens.

Montreal becomes part of the Paganism being lived there.

Martin Lepage follows another trail through that same forest and encounters gender, sexuality and queer identity.

Again, Paganism is doing more than transmitting doctrine.

Ritual becomes a place where human beings ask questions about themselves.

Who am I?

What was assigned to me?

What did I inherit?

What do I accept?

What do I reject?

What may I become?

And what happens when those questions are carried into sacred space?

Shelley Rabinovitch’s work helps us see just how diverse the modern Pagan landscape actually is.

The word Pagan does not resolve the differences.

It contains them.

Witches, reconstructionists, polytheists, ceremonial practitioners, nature-centred traditions, magical traditions, devotional traditions and all manner of things living somewhere around their edges.

That diversity itself becomes important.

There may never have been a single theological centre to discover.

Dodie Graham McKay brings us out of theory and onto the ground.

Festivals.

Communities.

Campgrounds.

Work weekends.

Rituals.

Stories.

People returning year after year.

People teaching.

People building things.

People remembering.

People arguing.

People belonging.

Her work reminds us that religion is not only what a community says it believes.

It is what people actually do together.

And then Barbara Jane Davy takes us into a particularly deep part of the woods.

Gift.

Reciprocity.

Ancestor.

Ritual.

Land.

Ecology.

Relationship.

Her work on contemporary Heathenry gives scholarly language to something that practitioners may understand almost instinctively:

We do not exist alone.

We exist within networks of relationship.

And relationships create consequences.

Nothing Stands Alone

There is something quietly Pagan about that idea even before we attach the name of a god to it.

Nothing stands entirely by itself.

The tree outside the window exists in relationship with soil, water, fungi, insects, birds, sunlight and weather.

The fire exists because someone gathered wood.

The wood exists because something grew.

The person tending the fire learned how from someone, somewhere.

Perhaps from a parent.

Perhaps from another Pagan.

Perhaps from a book written by someone long dead.

The story being told beside that fire came from another story.

The ritual contains gestures borrowed from another ritual.

The words have histories.

The symbols have travelled.

Even the solitary Pagan sitting alone beneath a tree is surrounded by relationships.

The solitude is real.

But so is the web.

Perhaps Paganism has always lived somewhere inside that tension.

Individual experience woven into something larger.

Not in the object.

In the connection.

The Land Remembers

This also changes how we understand sacred places.

Land is spoken about rather casually in modern spirituality.

Connect with nature.

Honour the land.

Walk barefoot.

Sit beneath a tree.

All fine things.

But relationship with place becomes very different when time enters the picture.

Walk the same path for twenty years and it is no longer simply a path.

Light the same fire every autumn and eventually that fire carries memory.

Hold rituals beside the same well.

Scatter ashes beneath the same trees.

Celebrate births there.

Mourn deaths there.

Meet friends there.

Lose friends there.

Work the soil.

Carry stones.

Repair fences.

Build shrines.

Tell the story about what happened beneath a certain tree fifteen summers ago.

Eventually the landscape stops being scenery.

It becomes biography.

This is part of what makes Davy’s work around Heathen ritual and Raven’s Knoll so interesting.

A ritual performed repeatedly in a place does something more than commemorate an old story.

It creates relationships among the participants, the ritual, the remembered past and the land where the ritual occurs.

That does not require us to solve every metaphysical question about sacred places.

We can observe what happens.

People remember.

People return.

People care for places.

They attach stories to them.

They behave differently toward them.

The geography gathers meaning.

A place becomes sacred not because someone printed the word sacred on a map.

It becomes sacred because relationships accumulate there.

And perhaps, sometimes, the place returns the favour.

Community Is Built the Same Way

Community may not be terribly different.

We sometimes speak about Pagan community as though it comes automatically with the label.

A Pagan festival is announced.

Pagans arrive.

Therefore Pagan community exists.

But the work documented by people like Graham McKay, Charbonneau, Lepage, Rabinovitch and Davy suggests something far more complicated.

Perhaps community is not simply a noun.

Perhaps community is something people keep doing.

Someone arrives early and helps another person put up a tent.

Someone teaches a workshop.

Someone brings extra coffee.

Someone tends the fire after most people have gone to bed.

Someone welcomes the newcomer standing awkwardly at the edge of the circle.

Someone cooks.

Someone cleans.

Someone performs ritual.

Someone remembers the names of people who are no longer there.

Someone keeps returning.

Years pass.

Children grow up.

People age.

Traditions change.

Arguments happen.

Friendships form.

Friendships break.

New people arrive.

Old stories become community folklore.

And somewhere along the way a collection of individuals becomes something resembling a people.

That may be why the loss of spiritual community can hurt so deeply.

You have not merely lost access to an event.

You may have lost relationships.

A fire you knew.

A path you walked.

A ritual calendar that helped divide your year.

Jokes nobody outside the group understands.

People who remember earlier versions of you.

Places where pieces of your life happened.

When people say, “It was home,” perhaps they are not speaking metaphorically at all.

Perhaps home is simply what we call a place where enough relationships have gathered.

Even the Past Is a Relationship

Then there is history.

Pagans can become wonderfully obsessive about history.

Was this ritual really ancient?

Did the Norse actually do this?

Did Druids believe that?

Where did this symbol come from?

Is this authentic?

Was this reconstructed in 1973 and then somehow transported backward into the Iron Age by the internet?

Those questions matter.

The scholars matter here too.

Part of the gift of scholarship is that somebody does the uncomfortable work of checking our stories.

They compare sources.

They question assumptions.

They distinguish evidence from folklore.

They point out when a beautiful story is probably modern.

Sometimes that ruins a perfectly good legend.

Good.

History deserves better than being used merely as decoration.

But scholarship can also teach us something subtler.

The past reaches us in fragments.

Stories.

Artifacts.

Names.

Folklore.

Burial goods.

Poetry.

Language.

Later accounts.

Archaeology.

Reconstructed possibilities.

And enormous stretches of silence.

We are not ancient Celts.

We are not Viking Age Norse farmers.

We are not living in pre-Christian Europe.

We stand here.

Now.

So every attempt to build a modern Pagan practice from the past requires a relationship between evidence and imagination.

Between inheritance and reconstruction.

Between what we know and what we desperately wish we knew.

Honesty lives somewhere inside that space.

Perhaps we do not honour the past by pretending the centuries between us never happened.

Perhaps we honour it by acknowledging the distance.

Learning what can be learned.

Admitting what cannot be known.

And still finding ways to carry something living forward.

Relationship Is Not Always Comfortable

And then the rabbit reaches the difficult part.

Relationships create obligations.

Barbara Jane Davy’s work on reciprocity and gifting makes this particularly difficult to ignore, but I think the question echoes through the work of all six.

If I claim relationship with land, what do I owe the land?

If I claim relationship with gods, what does devotion ask of me?

If I claim relationship with ancestors, which ancestors do I mean?

If I claim relationship with history, what obligation do I have to tell the truth about it?

If I claim relationship with community, what happens when community becomes inconvenient?

If I call someone kin, what does that word mean when agreement disappears?

If I borrow ritual or symbolism from another culture, what responsibilities come with that borrowing?

If I say a place is sacred, how should I behave toward it?

Suddenly Paganism is no longer merely about identity.

It becomes a question of conduct.

Not:

What label do I wear?

But:

What do my relationships require of me?

That is a much harder question.

An altar can be photographed.

A necklace can be worn.

A label can be placed in a biography.

Relationship has to be lived.

So What Is Paganism?

After wandering through the work of Rabinovitch, Graham McKay, Lepage, Charbonneau, Bowman and Davy, I find myself circling around a definition we have been slowly developing here at Unplugged Pagan.

Not because these scholars collectively wrote this definition.

They did not.

This is my synthesis of the landscape their work helps reveal.

And it should be presented as exactly that.

A reader standing upon foundations laid by people who spent years examining different pieces of the Pagan world and asking what those pieces might tell us.

From that vantage point, perhaps we can say:

Paganism is a lived and relational religious practice through which people establish and maintain relationships with gods, ancestors, land, community, memory and self, using historical inheritance, personal experience and contemporary reconstruction while remaining accountable for how those relationships are represented and enacted.

It is not a creed.

It is not the definition.

I doubt the Pagan world would tolerate a definitive definition for more than fifteen minutes anyway.

But perhaps it describes the shape of something.

The gods differ.

The myths differ.

The rituals differ.

The histories differ.

Languages differ.

Traditions disagree.

Practitioners contradict one another.

And yet again and again, in community after community and study after study, human beings appear reaching outward.

Toward gods.

Toward land.

Toward ancestors.

Toward one another.

Toward story.

Toward memory.

Toward identity.

Toward something beyond the small border of the individual self.

Perhaps Paganism is not a single road.

Perhaps it is more like an old forest.

There are hundreds of paths through it.

Some ancient.

Some newly cut.

Some carefully reconstructed from old maps.

Some little more than deer trails vanishing beneath the ferns.

And scattered through that forest are people who have spent years mapping portions of it.

Rabinovitch mapped some trails.

Bowman mapped others.

Charbonneau walked through Montreal.

Lepage followed paths through ritual and identity.

Graham McKay recorded the gathering places.

Davy followed the trail into ritual, gifting, ancestors and ecology.

None mapped the entire forest.

Neither will we.

But because they walked carefully, took notes, asked questions and left markers behind, those of us coming later can see farther than we could have seen alone.

That is worth acknowledging.

Scholarship does not remove the mystery from Paganism.

At its best, it teaches us where the mystery actually begins.

And perhaps beneath all those paths are roots.

Crossing.

Entangling.

Sharing soil.

Touching things we cannot see from the surface.

Maybe that is the common thread.

Not that Pagans believe the same things.

We quite obviously do not.

Perhaps the common thread is that Paganism repeatedly asks us to enter into relationship.

With something.

With someone.

With somewhere.

And then, sooner or later, comes the question that may matter far more than what we call ourselves:

What does that relationship ask of us?

Six scholars helped lead us to the edge of that question.

We simply followed the rabbit a little farther.

There it goes again.

Godspeed.

Why we Chase the Rabbit

White rabbit with glowing swirls sitting on moss in a magical forest under a starry sky

Following the Threads of Paganism

Yesterday we slipped, almost without noticing, down another rabbit hole. Though if I am honest, looking back over Unplugged Pagan lately, it feels less like a single descent and more like a habit of wandering—one rabbit hole braided into another, like roots under old forest ground. One question gives birth to the next, one name opens into a lineage of names, one festival dissolves into a constellation of other gatherings, and before long we are tracing people, organizations, traditions and ideas not just across years, but across the slow weathering of decades.

Eventually I find myself with far too many browser tabs open, as if each one is a small unresolved thought refusing to be closed, and I am left wondering—not just how we got here, but what it means that we can get here at all.

It puts me in mind of White Rabbit by Jefferson Airplane. Not because I am trying to dress this up as a psychedelic detour through the 1960s, but because the rabbit has become something like a quiet companion in this work. A flicker at the edge of perception. Something half-seen in the underbrush of culture. Curiosity stirs, and we follow—not because we are certain there is a destination, but because not following would feel like refusing a question that has already been asked of us.

Sometimes the rabbit leads nowhere at all. Sometimes it simply leads to another rabbit, and then another, as if the point was never arrival but attentiveness. And every so often—rarely, but enough to matter—it leads somewhere that subtly rearranges the landscape in which we thought we were standing.

What Does Any of This Have to Do With Paganism?

That question has been sitting with me through much of this recent work, not as a problem to solve but as a kind of quiet pressure. What does the Rainbow Family have to do with Paganism? What does Bhakti Bliss have to do with Paganism? What does an electronic music festival, pulsing with bass and light and bodies in motion, have to do with anything we might call religion?

And then the question widens until it becomes almost unmanageable: what do yoga teachers, kirtan musicians, ecstatic dancers, academics, festival organizers, Wiccans, Heathens, Druids, witches, animists, and the solitary person tending a small fire in the dark all have to do with one another?

Maybe nothing. Or maybe something so subtle it resists being named directly. That uncertainty is not a flaw in the inquiry—it is the condition that makes the inquiry necessary.

Because the real question is probably not whether all of these people are Pagan. Most of them are not, and do not need to be. The more interesting question is what currents of influence, imagination, borrowing, resistance, memory, and encounter shape the way modern Pagans come to understand Paganism at all.

And that is where the rabbit hole deepens in a different way—not as distraction, but as method.

First, Paganism Is Not One Religion

I have said this before, but it becomes more important the longer you sit with it: Paganism is not a single religion. It is not even a single thing that behaves like a religion. It is more like a field of overlapping practices, revivals, reconstructions, inventions, inheritances, and lived experiments in meaning.

Wicca can be a religion. Heathenry can be a religion. Ásatrú can be a religion. Druidry can be a religion, or a philosophy, or a poetic orientation toward land and memory. Hellenic, Roman, Kemetic, Celtic, animist, polytheist, reconstructionist and eclectic paths all sit beneath the same loose umbrella, though they do not always agree on what the umbrella is for.

There is no single Pagan church. No shared scripture. No central authority that can declare, once and for all, what counts and what does not. No pope of the old gods. No final doctrinal word that settles the matter.

Even the word itself does not begin as a name for a unified tradition. It comes through the Latin paganus, a word that once meant something closer to “country dweller” or “civilian,” and only later gathered religious meaning as a label for those outside the expanding boundaries of Christianity.

So the idea that there was once a single ancient thing called Paganism, coherent and unified, waiting to be rediscovered intact, is more comforting than it is accurate. The historical reality is messier, more local, more plural. Many gods, many rites, many households, many landscapes, many ways of being in relationship with the unseen.

What we call Paganism now is, in many ways, a modern act of gathering—an attempt to hold diversity under a single word without erasing the fact that it is still diverse.

So Who Teaches Us What Paganism Is?

If there is no central authority, then the question shifts: where does the meaning come from?

It comes from books and teachers, yes, but also from festivals, conversations, disagreements, online forums, academic papers, ritual spaces, music, storytelling, and the slow accumulation of shared experience. It comes from people who identify as Pagan, people who reject the label, and people who never think about the label at all but still shape the world in which it is used.

In that sense, Paganism is not transmitted only through institutions. It moves through networks. Through contact. Through encounter. Through repetition and reinterpretation. Through the simple fact of people showing up in the same places and influencing one another without always naming it as influence.

Once you see that, the rabbit hole stops looking like a detour and starts looking like the structure itself.

What Have the Scholars Been Telling Us?

Over the last while, we have been drawing on scholars who do not treat Paganism as an abstract definition to be imposed from above, but as something lived, negotiated, and continually re-formed from within.

Marion Bowman’s work on nature, the natural, and Pagan identity is useful precisely because it complicates what seems simple. “Nature religion” sounds straightforward until you ask actual practitioners what nature means to them, and you discover not one answer but many layered relationships—emotional, symbolic, ethical, embodied, and sometimes contradictory (Bowman, 2000).

Marisol Charbonneau’s research takes us directly into Pagan communities themselves, where identity is not a fixed category but something shaped through interaction, diversity, and local history. Her work on Montreal’s Pagan revival shows that what we call a tradition is often the outcome of people meeting, exchanging ideas, forming groups, breaking apart, and forming again in new configurations (Charbonneau, 2007, 2008).

Martin Lepage’s work adds another dimension: ritual as lived negotiation. Not performance in the sense of pretending, but performance in the sense of actively making meaning together—where identity, authority, gender, belonging, and community are not assumed but continually worked out in real time (Lepage, 2017).

Shelley Rabinovitch’s encyclopedic documentation preserves the texture of modern Witchcraft and Neo-Paganism as it actually developed—names, organizations, movements, and the human networks behind them (Rabinovitch, 2011). Dodie Graham McKay’s writing on festival culture shows how gatherings themselves become part of the religious ecosystem, not just reflections of it but engines within it (McKay, 2014).

Taken together, these works suggest something quietly radical: Paganism is not only a set of beliefs. It is a lived ecology of people, places, practices, and relationships that continuously generate meaning through contact.

Which Brings Us Back to Kaleidoscope

Our exploration of the Kaleidoscope Gathering made this especially visible. What began as a local festival history opened into a web of people, transitions, and overlapping communities—Gina Ellis, MiniFest, Pamela Fletcher, and the gradual emergence of Kaleidoscope as something larger than its origins.

We also saw how academic researchers moved through these spaces, not as distant observers but as participants in a living field of relationships, encountering people and practices that would not have been accessible through formal channels alone.

The festival, in that sense, was not just an event. It was a meeting point where trajectories crossed. Where something was transmitted without being formally taught. Where influence happened not through doctrine, but through presence.

And that is important: not because it implies control, but because it reveals how culture actually moves when no one is in charge of it.

And Then We Arrive at Yesterday’s Rabbit Hole

Our recent investigation traced connections across Ontario’s Rainbow environment, Bhakti in the Woods, Bhakti Bliss, GAIAFEST, Raven’s Knoll, KN¿WHERE, and a shifting constellation of performers, facilitators, and organizers.

What became most important was not what we could prove, but what we could not responsibly claim. We could not reduce this to a single organizing force. We could not turn shared participation into shared ideology. We could not mistake proximity for membership, or repetition for origin.

And yet, something undeniable remained: movement. People moving between spaces. Ideas moving with them. Practices appearing in new contexts. Relationships forming, dissolving, re-forming elsewhere. A kind of cultural weather system, constantly in motion.

Not conspiracy. Not design. Something more ordinary—and therefore more interesting.

Circles of Influence Are Not Conspiracies

Most influence does not announce itself. It does not need a centre. It does not require coordination. It happens in the small, repeated acts of exchange that rarely feel significant in the moment.

I attend your ritual. You attend my workshop. Someone shares a chant. Someone recommends a book. A festival adopts a practice that worked elsewhere. A teacher becomes a student somewhere else. A student becomes a teacher. Ideas drift, settle, mutate.

Years later, patterns appear, and we are tempted to imagine intention where there was only accumulation.

But culture does not require a conductor to become music.

So Who Influences What We Think Paganism Is?

Perhaps this is the question that keeps opening itself in different forms.

Who told us a symbol was ancient? Who decided a ritual was traditional? Who shaped the stories we now repeat without remembering their origin?

Was it archaeology? Medieval manuscripts? Victorian occultism? Gardnerian Wicca? Reconstructionist scholarship? A workshop in a field in 1997? A blog post? A meme? A grandmother’s story told by firelight?

Or was it simply repetition—something said often enough, by enough people, that it began to feel like it had always been true?

These are not idle questions. They are ways of distinguishing between history, tradition, interpretation, and meaning—without collapsing them into one another.

And What Does My Own Work Tell Me?

At some point, the inquiry turns back inward.

I have written about Brigid and Skadi. About frith, reciprocity, honour, obligation. About land, memory, and relationship. About festivals, symbols, leadership, and the fragile architecture of community. About fire, ancestors, belonging, betrayal, and the uneasy meeting point between spiritual language and everyday life.

And beneath all of it, a single question keeps returning, in different clothing:

What does any of this mean when it has to be lived, not just described?

That may be the real rabbit I keep following.

Not certainty. Not authority. But understanding—of where ideas come from, what sustains them, what distorts them, and what remains when they are carried out of ritual space and into ordinary days.

Maybe That Is Why We Chase the Rabbit

Rabbit holes are often treated as distractions, as if clarity should always move in straight lines. But the history of Pagan traditions—and the cultures around them—rarely moves in straight lines either.

Religions meet. Stories travel. Gods change names. Practices shift. What is lost is sometimes reconstructed, sometimes reimagined, sometimes replaced. The past is not simply recovered; it is negotiated with.

And the present, especially in the age of the internet, accelerates all of this until the boundaries between origin and influence become even more porous.

So perhaps the rabbit is not a distraction from the work. Perhaps it is the work—if we are willing to follow carefully, and honestly, and without pretending the trail is simpler than it is.

The Rabbit Hole Has Rules

And still, there are limits that matter.

Following connections is not the same as believing every connection is meaningful. Curiosity is not the same as credulity. Pattern-seeking is not the same as proof.

Association is not membership. Overlap is not control. Similarity is not origin. Tradition is not automatically history. And personal meaning is not automatically ancient meaning.

These distinctions do not diminish the mystery. They protect it from collapsing into fantasy.

Between blind acceptance and reflexive dismissal, there is a more difficult path: attention held with discipline.

Follow the rabbit. But also learn when the trail ends.

That, it seems, is part of the practice here.

Thanks, and Godspeed.

A Keyboard Can Keep Time

Person with dual glowing silhouettes merging together

This is the third in a three part reflection on community, spiritual practice, identity, and what has changed.

At different points in my life, I have used different names to describe myself.

Kevin is the name connected to work, bills, legal documents, responsibilities, mistakes, survival, and the ordinary weight of being a person in the world.

Lugh Sulian became connected to writing, Pagan identity, spiritual exploration, history, fire, ritual, and the part of me that was looking for a language large enough to hold everything I carried.

For a time, those identities felt almost separate.

One belonged to the practical world.

The other belonged beside the fire.

When Lugh and Kevin Were Separate

In From Lugh to Kevin: My Evolving Identity Story, I looked back at why the name Lugh Sulian appeared in the first place.

Lugh began partly as privacy and partly as separation.

Kevin dealt with employers, paperwork, bills, contracts, responsibilities, and the machinery of ordinary life.

Lugh had space to read cards, honour the gods, tend fires, think symbolically, write spiritually, and move through Pagan spaces without bringing every part of my public identity into the room.

That separation once served a purpose.

Eventually, though, it stopped making sense to treat them as different men.

In Kevin and Lugh: Integration Without Performance, I described them as two doors into the same house.

That remains true.

The difference now is that the doors are usually open.

Two Sites, One Road

Standing on the Ledge and Unplugged Pagan may appear to be two different projects, but they increasingly tell the same story from different sides.

Standing on the Ledge asks how a person continues after life collapses.

Unplugged Pagan asks what remains sacred while that person is rebuilding.

One deals with tools, systems, psychology, work, exhaustion, money, habits, conflict, and recovery.

The other deals with meaning, ancestors, gods, land, honour, belonging, memory, and fire.

They meet in the same place.

They meet in the question of how to remain yourself when the structures you trusted have failed.

That connection is no longer something I need to hide or keep in separate compartments.

The practical and spiritual parts of my life need each other.

Ritual without practical action can become avoidance.

Practical action without meaning can become endless machinery.

The candle does not pay the bill, but it may steady the hand that opens it.

The tarot card does not make the decision, but it may expose the fear shaping it.

The prayer does not complete the work, but it may remind me why the work matters.

The spreadsheet does not create purpose, but it can protect the conditions in which purpose has room to live.

Letting the Record Stand

In earlier writing, conflict often occupied a great deal of space.

There were reasons for that.

Silence can protect harmful behaviour. Naming what happened can be necessary, particularly when others would prefer that the record disappear.

But I am learning that not every truth needs to be repeated forever in order to remain true.

Sometimes the record can stand.

Sometimes a boundary is more useful than another argument.

Sometimes the best answer to something destructive is to stop feeding it and build something that can live without it.

That does not mean becoming silent.

It means becoming more deliberate about when speaking adds something useful.

Am I bringing forward new evidence?

Am I explaining something more clearly?

Am I offering a tool another person can use?

Am I marking real change?

Or am I hoping that one more explanation will finally force the past to provide a different answer?

That distinction is not always comfortable.

It is necessary.

A New Creative Purpose

This is where my new creative purpose is emerging.

Writing is no longer only a way to describe what happened to me.

It is becoming a way to create something for the people who arrive later.

A person may find Unplugged Pagan because they have lost their spiritual community.

Someone may find Standing on the Ledge because they have lost a job, a relationship, financial stability, confidence, direction, or the life they expected to have.

They may not need me to have solved everything.

They may need evidence that someone can remain unfinished and still continue.

They may need a tool, a story, a question, or a few honest words that help them through one difficult night.

That changes the purpose of the writing.

The injury may explain why I began.

Service can explain why I continue.

A Different Kind of Gathering Place

I once found belonging through gatherings, shared spaces, festivals, drums, and fires.

Those things still have value.

I have not stopped believing in their power.

But a keyboard can also keep time.

A page can become a gathering place.

A reader I may never meet can still sit beside the same fire.

That does not replace physical community.

It does widen my understanding of where community can exist.

Community can form through recognition.

One person tells the truth about an experience, and someone elsewhere recognizes part of their own life in it.

For a moment, neither person is carrying the experience entirely alone.

That is not a festival.

It is not a grove.

It is not a formal ritual.

But it is still connection.

Kevin and Lugh Now

My identity is becoming less dependent on choosing between Kevin and Lugh.

They are not rivals.

Lugh gives language to things Kevin has lived.

Kevin gives weight and experience to the things Lugh writes.

The spiritual and practical selves are not separate people.

They are two ways of looking at the same road.

Kevin is not only the tired worker, the bill payer, or the person carrying legal and practical burdens.

Lugh is not only the firekeeper, Pagan voice, or spiritual figure standing dramatically beside the flame.

Kevin has fire in him.

Lugh still has to live in the real world.

Most days, both are doing both.

Movement Rather Than Erasure

I am still learning how to handle conflict without allowing it to consume all available space.

I am still learning the difference between speaking because something must be said and speaking because I am hoping the past will finally provide a different answer.

Progress rarely arrives as a clean break.

But I can see movement.

I am spending less time asking whether I still belong in places that changed without me.

I am spending more time asking what I can create with the life, knowledge, failures, skills, and stories that remain.

That is the direction now.

Not erasing the past.

Not living inside it.

Using it.

Turning memory into writing.

Turning writing into tools.

Turning tools into small points of light.

Turning those lights into something another person might follow when their own road becomes difficult.

Maybe that is what firekeeping looks like for me now.

Not guarding one sacred flame in one permanent place.

Carrying enough fire to light the next one.

Godspeed.


This concludes the three part series. The fire moved from community, through practice, and into creative purpose. The road continues from here.

What Stayed When the Ritual Changed

Woman chopping carrots and kale on a kitchen counter with a candle, flowers, and a mindfulness sign nearby

This is the second in a three part reflection on community, spiritual practice, identity, and what has changed.

I have written before about ritual, roots, the Wheel of the Year, fire, offerings, gods, ancestors, and the imperfect ways we attempt to reach toward something larger than ourselves.

Earlier in my path, I sometimes treated spiritual practice as something that needed to be done properly.

There should be the correct words, the right tools, the appropriate date, a carefully prepared space, and perhaps other people who understood what was taking place.

There is nothing wrong with creating meaningful ritual.

Preparation can focus the mind. Tradition can connect us with those who came before us. Shared ceremony can remind us that we are not alone.

But life does not always arrive in ceremonial condition.

Sometimes the house is untidy.

Sometimes the candles are missing.

Sometimes work has drained everything from you.

Sometimes grief, exhaustion, conflict, or financial pressure make elaborate spiritual practice feel impossible.

I used to worry that an imperfect practice might mean I was failing spiritually.

I no longer believe that.

When Paganism Came Down From the Shelf

In What Grew Between Equinox and Solstice, I wrote that Paganism had begun coming down from the shelf.

The sacred did not always arrive through formal ritual.

Sometimes it arrived through planting potatoes left from the previous harvest.

Sometimes through checking the garden, cancelling an unnecessary expense, clearing a room, going to work, writing a difficult document, or admitting that my body had carried enough for one day.

The altar and the workbench began speaking to each other.

The prayer and the plan sat at the same table.

That change has continued.

My practice has become quieter, simpler, and more firmly woven into ordinary life.

The Gods in Ordinary Work

Brigid is present in the act of keeping a small flame alive, but also in writing, making, repairing, learning, and returning to work after discouragement.

She is in the inspired word, the healing hand, and the disciplined work of the forge.

Skadi is present in independence, endurance, winter silence, and the willingness to walk alone when companionship would require abandoning my principles.

She is not only the snow covered mountain. She is also the clean boundary and the decision not to return to a path that no longer leads anywhere healthy.

Ratatoskr is present in messages, words, misunderstandings, movement between different levels of life, and the question of which messages actually need to be carried.

The landvættir are not abstract ideas confined to formal offerings. They are part of how I pay attention to the ground, weather, trees, garden, animals, roads, and places through which I move.

The fir tree is present in endurance.

It remains green through winter, not because winter is pleasant, but because remaining alive is part of its nature.

The gods and spirits have become less like distant figures waiting for perfect ceremony and more like relationships maintained through attention.

That may be the largest change in my spiritual beliefs.

I am less interested in spiritual performance and more interested in spiritual presence.

Small Ritual Is Still Ritual

A ritual does not fail because it is small.

Lighting a candle can be enough.

Sitting outside and listening can be enough.

Pulling cards, not as fixed prophecy but as a way of examining my own thoughts, can be enough.

Remembering the dead can be enough.

Writing one honest paragraph can be enough.

Preparing a meal can be enough.

Watering the garden can be enough.

Stopping for a moment beside the road and noticing the land can be enough.

Some days, showing up is the ritual.

Beginning Again Does Not Erase the Past

In older writing, I spoke about shuffling, freshening, and beginning again.

That has become more than a description of cards or ritual tools. It has become a method for living.

Things become stale.

Practices lose meaning.

Communities change.

Beliefs that once supported us may no longer fit who we have become.

Beginning again does not mean that everything before it was false.

It means we are still paying attention.

My path today is not identical to the path I began walking years ago.

I no longer feel obligated to defend every inherited idea simply because it is old.

I am more cautious about claims presented as ancient certainty.

I care less about appearing Pagan enough for other Pagans.

At the same time, I have not abandoned tradition.

I have become more selective about what I carry.

What I Carry

I carry firekeeping.

I carry reciprocity.

I carry respect for land, ancestors, memory, craft, courage, hospitality, and the responsibility to speak when silence would protect wrongdoing.

I carry Brigid’s useful flame.

I carry Skadi’s clean boundary.

I carry Ratatoskr’s warning that messages can connect worlds or poison them.

I carry the fir tree’s refusal to become empty simply because the season has turned against it.

I carry the knowledge that the land is larger than one sacred place and the gods are larger than any organization that claims to represent them.

What I Leave Behind

I leave behind the belief that belonging requires conformity.

I leave behind the need to turn every spiritual moment into content or performance.

I leave behind the idea that another person has the authority to validate my path.

I leave behind the belief that a ritual must be elaborate before it can be sincere.

I leave behind the expectation that I must feel spiritually inspired every day in order to remain connected.

My practice is no longer built around proving what I am.

It is built around remembering who I am and deciding how I will live.

That is less dramatic than some of the rituals I once imagined spirituality required.

It is also more durable.

The practice that remains is not perfect.

It is lived.

For me, that has become the difference between carrying a label and tending a flame.

Godspeed.

Next in the series: A Keyboard Can Keep Time.

Before Raven’s Knoll: The Early History of the Kaleidoscope Gathering, 1989–2009

Group of people in medieval costumes holding hands dancing around bonfire at outdoor festival

Before there was a Raven’s Knoll, a permanent village of tents, ritual spaces, workshops, merchants, musicians, and familiar faces, there was a small gathering on Gina Ellis’s land in Lanark County.

This history has been compiled with all publicly available material; no interviews were conducted in its creation process – Kevin/Lugh

It was called MiniFest.

The surviving historical record is incomplete. The official online collection of Kaleidoscope Gathering programs begins with the Raven’s Knoll period, while much of the earlier community history was shared through printed programs, newsletters, email lists, Yahoo Groups, private photographs, and oral storytelling. Many of those materials have disappeared from the publicly searchable internet.

What remains, however, is enough to reconstruct the major outline of how a small Lammas gathering became one of Canada’s most enduring Pagan festivals.

A Lammas Gathering on Gina Ellis’s Land

The strongest available evidence places the founding of the gathering in 1989.

The official 2011 Kaleidoscope Gathering program described the event as having begun 22 years earlier when Gina Ellis hosted what it called a “Lammas meeting of souls” on her own land. Counting back from 2011 places the first gathering in 1989. The 2011 event was also identified as the 22nd annual Kaleidoscope Gathering, reinforcing that date (Kaleidoscope Gathering, 2011).

View the 2011 Kaleidoscope Gathering program.

Martin Lepage’s doctoral research independently gives the same year. Lepage identifies Gina Ellis as the founder, states that the event was originally called Minifest, and places it on Gina’s former land near Perth, Ontario. Lepage also describes Ellis as a significant figure connecting the Pagan communities of Ottawa and Montreal and as the founder of the Silver Wheel coven (Lepage, 2017, pp. 31–34).

Read Martin Lepage’s doctoral dissertation.

A near-contemporary academic reference offers additional confirmation. Religious studies scholar Marion Bowman wrote that MiniFest was in its sixth year in 1995. Depending on whether the first gathering was counted as year one, that also places its beginning in approximately 1989 or 1990. When combined with the official anniversary count and Lepage’s research, 1989 is the best-supported founding date (Bowman, 2000).

Read Marion Bowman’s article.

The original site is usually described as being near Perth. Community histories locate it more specifically near McDonald’s Corners, southwest of Perth, on land associated with Gina Ellis and the Silver Wheel coven.

That land became known within the community as Witch Hollow and was used for coven activities, seasonal observances, initiations, women’s gatherings, a men’s gathering, Hecate’s Web events, and later the smaller InFest gathering (Seccaspina, 2016).

Read “The Witch Hollow of Lanark County”.

This matters because MiniFest did not begin as a commercial festival imposed upon a rented campground. It emerged from an existing spiritual community and a living ritual landscape. The earliest gathering was closely connected to the land, the coven, and the relationships already formed around them.

Why “MiniFest” Was an Accurate Name

Later descriptions consistently characterize the earliest gatherings as intimate and informal.

A history quoted by The Wild Hunt described Kaleidoscope’s development as beginning with something resembling a “kitchen party,” then expanding through a widening circle of friends before becoming a mobile or “roaming” gathering. A longtime attendee responding to the article remembered the earliest form as friends inviting more friends until the gathering became substantially larger (McKay, 2014).

Read The Wild Hunt’s history of Ontario Pagan festivals.

A publicly indexed recollection from an early attendee states that their first gathering was on Gina Ellis’s land in 1995 and that it was still being called MiniFest. Although personal memories cannot carry the same historical weight as dated programs or academic studies, this recollection is consistent with Bowman’s chronology and the documented location.

View the publicly available participant recollection.

MiniFest appears to have been less a miniature version of the later festival than a different kind of event. It was a small gathering rooted in personal relationships, shared ritual, and hospitality. Its identity grew from the people who attended rather than from a permanent venue, formal infrastructure, or public brand.

That intimacy did not survive unchanged because the gathering became far more successful than its original setting could accommodate.

The Gathering That Outgrew Its Home

Lepage reports that, a few years after MiniFest began, approximately 300 unexpected people arrived. The crowd was too large for the original site, forcing the gathering to find a larger location (Lepage, 2017, p. 32).

An entry concerning Gina Ellis in The Encyclopedia of Modern Witchcraft and Neo-Paganism supplies an important additional detail. It states that MiniFest had grown beyond the capacity of Ellis’s acreage and that its manager, Pamela Fletcher, renamed the event Kaleidoscope and moved it to larger camping accommodations (Rabinovitch, 2011, p. 92).

The precise year of the name change has not been established from a surviving dated program. The available evidence indicates that the gathering was still remembered as MiniFest in 1995, while later sources describe the renaming and relocation as part of its expansion during the 1990s.

It would therefore be misleading to assign a specific year without locating an original program, announcement, or organizational record.

What can be stated with reasonable confidence is that four developments were connected:

  1. MiniFest attracted more people than Gina’s land could safely or comfortably hold.
  2. Pamela Fletcher assumed a major management role.
  3. The event was renamed Kaleidoscope Gathering.
  4. It began moving among larger venues.

This was the beginning of the roaming period remembered in later KG histories.

Pamela Fletcher and the Development of Kaleidoscope

Pamela Fletcher, widely known within the community as Lady Pamilla, became one of the central figures in the gathering’s pre-Raven’s Knoll development.

The encyclopedia account associates her directly with the transition from MiniFest to Kaleidoscope and with the move away from Gina Ellis’s land. By July 2006, a public Toronto Pagan community announcement explicitly identified Pamela Fletcher as the director of Kaleidoscope Gathering. She had donated a weekend pass for the August 4–7, 2006 festival to a community fundraiser (Rabinovitch, 2011; Plutopsyche, 2006).

View the 2006 Toronto LiveJournal announcement.

The 2011 KG program states that Pamela had retired before the new Raven’s Knoll organizers assumed responsibility for the gathering. It describes 2011 as Maryanne Pearce and Austin Lawrence’s second year as organizers following Fletcher’s retirement, placing the organizational transition in 2010 (Kaleidoscope Gathering, 2011).

Pamela’s enduring influence is also preserved in the gathering’s stated educational principle. Official KG registration material continues to associate her with the motto:

“Everyone has something to learn and something to teach.”

The present organization identifies that idea as a fundamental principle of KG (Kaleidoscope Gathering, n.d.-a).

View the official KG registration page.

That principle helps explain how Kaleidoscope developed. It was not structured solely around recognized clergy, published authors, or professional presenters. Knowledge could move through the community horizontally.

People came as students, teachers, ritual participants, musicians, performers, merchants, volunteers, and storytellers, often occupying several of those roles during the same gathering.

A Gathering Between Ottawa, Eastern Ontario, and Montreal

Although the gathering began on Ontario land, it was never only a local Lanark County event.

Lepage describes Gina Ellis as one of the best-known figures in a Pagan community extending between Ottawa and Montreal. He later identifies Kaleidoscope as the Pagan festival most popular among Montreal Pagans and as one of the gatherings bringing together the greatest variety of Pagan traditions and individuals (Lepage, 2017, pp. 31–34).

Marisol Charbonneau chose the 2007 Kaleidoscope Gathering as a fieldwork location for her University of Ottawa research because the event was regularly attended by Montreal Pagans. She used the gathering to meet people who were not participating in the Montreal Pagan community’s electronic discussion lists.

This shows how KG functioned as a physical meeting place for networks that otherwise communicated through stores, brunches, newsletters, and early online forums (Charbonneau, 2008, pp. 5–6).

Read Charbonneau’s research.

This cross-regional character helps explain the diversity that became one of KG’s defining features. It brought together English-speaking and French-speaking participants, coven-based Wiccans, solitary practitioners, ceremonial magicians, Druids, Heathens, Goddess worshippers, queer Pagan communities, musicians, and people who did not fit comfortably within a single formal tradition.

A study of diversity in Canadian Paganism records that one of the principal events at the 2006 Kaleidoscope Gathering was a Vodoun ritual. The same source identifies that year’s program theme as “Myths and Legends.”

This is significant because it demonstrates that, by 2006, KG’s programming was already extending beyond a narrowly European or exclusively Wiccan presentation of Pagan religion (Charbonneau, 2007, p. 14).

Read “The Melting Cauldron”.

Later retrospectives describe KG traditions including the Bardic Competition, nightly music and drumming, Pride activities, gender-specific and third-gender rituals, the Stag King, and the Trials of Artemis.

Not every one of these traditions can presently be dated to the pre-2010 period, but the list illustrates the broad participatory culture that had grown from the earlier gathering (McKay, 2014).

A published author biography also claims that a work won Kaleidoscope’s Bardic Competition in 1995 and again in 2006. Because this information survives as biographical material rather than an official list of winners, it should be treated cautiously. It nevertheless suggests that the Bardic Competition may have been established by the mid-1990s (Puhvel, 2007).

The Documented Whispering Pines Years

The complete list of pre-Raven’s Knoll locations has not been recovered. Later histories call KG a roaming gathering, but the publicly indexed record does not identify every campground or provide a year-by-year location chronology.

The best-documented later venue was Whispering Pines Campground, near Plantagenet and Curran in eastern Ontario.

Charbonneau’s fieldwork places the August 2007 gathering at Whispering Pines in Plantagenet. She describes KG as a Pagan camping festival held over the Civic Holiday weekend and notes its substantial Montreal attendance (Charbonneau, 2008, pp. 5–6).

A surviving Temple of the Sacred Grove community page independently records the 2007 event as taking place from August 1 to August 6 at Whispering Pines Campground.

The same page records InFest later that summer on Gina’s land near McDonald’s Corners, attended by approximately 35 returning and new friends (Temple of the Sacred Grove, 2008).

Visit the Temple of the Sacred Grove website.

That pairing is historically revealing. By 2007, Kaleidoscope had become large enough to occupy a commercial campground, while InFest continued the smaller, relationship-based gathering at the original site.

In effect, the two events preserved different parts of the original MiniFest experience. Kaleidoscope carried forward the expanding public festival, while InFest retained greater intimacy.

The Temple page also preserves unusually detailed information about the 2008 gathering. KG ran from Wednesday, July 30, through Monday, August 4, with the theme “Fairies and Elves and Gnomes! Oh My!”

Whispering Pines was closed for the gathering’s exclusive use. The site offered a beach, an in-ground swimming pool, drive-up campsites, two showers, and relatively level, rock-free camping areas. The notice also reminded participants to respect the resident campground owners and prohibited pets other than guide dogs (Temple of the Sacred Grove, 2008).

These practical details show how far the gathering had travelled from its kitchen-party beginnings. Registration procedures, campground agreements, accessibility rules, themed programming, and several days of scheduled activity required an established organizing structure and a substantial volunteer base.

A later participant remembered Whispering Pines as one of KG’s former homes and described it as evoking the intimacy of the earlier gathering. That recollection is consistent with the dated 2007 and 2008 notices, although it does not establish the first or final year KG used the campground (McKay, 2014).

The Fragmentary Early Internet Record

Kaleidoscope existed before social media centralized community communication. Its online presence was spread among personal webpages, email lists, Yahoo Groups, LiveJournal, newsgroup signatures, and successive domain names.

The Temple of the Sacred Grove page links to the old Kaleidoscope-Gathering.com address and to numerous Yahoo Groups serving Ottawa-area Pagans. The page also mentions a Facebook group, a Yahoo group, and Yahoo email distributions, illustrating the mixture of old and emerging platforms being used during the late 2000s (Temple of the Sacred Grove, 2008).

A 2001 Usenet post contains an email signature promoting “Kaleidoscope 2002” and the old Kaleidoscope-Gathering.com domain. However, the signature also contains a reference to Lawrencetown, Nova Scotia, and provides no reliable context about KG’s Ontario venue or organization.

It is evidence that the name and domain were circulating online by 2001, but it should not be used to establish a festival location (Pearce, 2001).

View the surviving 2001 Google Groups post.

The Toronto LiveJournal notice from 2006 is more useful. It supplies dates for that year’s gathering and identifies Pamela Fletcher as director. Together with the Temple pages, it shows that Pagan community blogs and event boards were important parts of KG’s publicity network before Facebook became dominant (Plutopsyche, 2006).

Most Yahoo Groups material is no longer publicly searchable, and the original KG domain has since been repurposed for unrelated content. The disappearance of these platforms is one reason the pre-2010 history now appears thinner than the gathering’s age and importance would suggest.

2009: The Twentieth Anniversary

The strongest surviving audiovisual record of the pre-Raven’s Knoll era was created in 2009.

Francis Perron produced the documentary Merry Meet: The Story of the Kaleidoscope Gathering for KG’s twentieth anniversary. The film contains interviews with participants and organizers, music, storytelling, and sections devoted to the gathering’s beginnings, Lady Pamelia, and memorable festival anecdotes.

Perron described it as an independently produced film created while he learned the necessary equipment and editing tools (Perron, 2009).

Watch the documentary:
Merry Meet: The Story of the Kaleidoscope Gathering

A separate publicly available video connected with Gina Ellis also remains online.

Watch the Gina Ellis video:
Gina Ellis video on YouTube

Research note: Dependable title, creator, and upload-date metadata were not available during the original research. The video is therefore linked without assigning uncertain bibliographic details.

The twentieth-anniversary year also brought a visual marker of change. The official KG history states that the Rainbow Dragonfly logo was unveiled at the 2009 gathering. The dragonfly subsequently became closely associated with the festival’s identity (Kaleidoscope Gathering, n.d.-b).

Read the official history of the Rainbow Dragonfly.

The Road to Permanent Land

For roughly two decades, the gathering’s continuity came from its people rather than from ownership of a particular site.

The official KG history describes the event’s evolution from a small gathering among friends into a roaming spiritual community. That movement could accommodate growth, but it also meant negotiating repeatedly with campgrounds, adapting ritual and workshop spaces, transporting infrastructure, and relying upon venues whose long-term availability was never guaranteed (McKay, 2014).

In 2009, the incoming organizers purchased land intended to provide a permanent Pagan gathering place. The first Kaleidoscope Gathering at Raven’s Knoll was held in 2010.

The 2011 program confirms that 2011 was KG’s second year there and the second year of the new organizing leadership following Pamela Fletcher’s retirement (Kaleidoscope Gathering, n.d.-c; Kaleidoscope Gathering, 2011).

Read the official Kaleidoscope Gathering FAQ.

That move did not create Kaleidoscope Gathering. It gave an already mature gathering a permanent home.

By the time KG reached Raven’s Knoll, it had already existed for approximately 20 years. It had begun on Gina Ellis’s land, outgrown that land, acquired a new name, survived multiple moves, developed a cross-regional community, established recurring traditions, and built an identity strong enough to remain recognizable without being tied to one campground.

What Can Be Documented and What Remains Missing

The surviving public record supports the following historical outline:

  • 1989: Gina Ellis establishes MiniFest as a Lammas gathering on her land near McDonald’s Corners and Perth.
  • 1995: Academic evidence places MiniFest in approximately its sixth year, while attendee memory still associates the MiniFest name with the gathering on Gina’s land.
  • Later 1990s: The gathering outgrows the original site after a crowd reported at approximately 300 people. Pamela Fletcher manages the transition, and MiniFest becomes Kaleidoscope Gathering.
  • By 2001: The Kaleidoscope name and an early festival domain are being circulated online.
  • By 2006: Pamela Fletcher is publicly identified as KG’s director. That year’s program theme is documented as “Myths and Legends,” and a major Vodoun ritual forms part of the programming.
  • 2007–2008: KG is securely documented at Whispering Pines Campground near Plantagenet.
  • 2009: KG observes its twentieth anniversary, Francis Perron releases Merry Meet, and the Rainbow Dragonfly logo is unveiled.
  • 2010: The first Kaleidoscope Gathering is held at Raven’s Knoll.

Several important questions remain unanswered by the publicly accessible record. The exact year in which MiniFest was formally renamed has not been located. No complete list of the gathering’s roaming venues has surfaced. Programs from most pre-2010 years are not included in the official online archive.

Nor is there a publicly available master list of early organizers, workshop presenters, ritual leaders, musicians, Bardic winners, or annual attendance.

Those records may still exist in private collections, old printed programs, photographs, newsletters, hard drives, or the memories of longtime participants. Their absence online should not be mistaken for an absence of history.

Remembering the Gathering Before the Land

The history of Kaleidoscope Gathering did not begin when a sign was placed at Raven’s Knoll.

It began when Gina Ellis opened her land for a Lammas gathering. It continued as more friends arrived, then more friends of friends, until a gathering intended to be small became too large for its birthplace.

Pamela Fletcher helped carry it through the difficult transformation from MiniFest into a larger, mobile festival. Participants and volunteers then preserved it across different locations until permanent land became possible.

The pre-Raven’s Knoll history is therefore not merely an introductory chapter. It explains what Kaleidoscope originally was:

A community that existed before it possessed a permanent home.

The land eventually gave that community stability.

The community, however, came first.


Publicly Available Historical Record

The following materials remain among the most useful publicly accessible sources for researching KG’s pre-Raven’s Knoll history:

  • The 2000 article by Marion Bowman, containing the near-contemporary statement that MiniFest was in its sixth year in 1995.
  • Shelley Rabinovitch’s encyclopedia entry concerning Gina Ellis, MiniFest, Pamela Fletcher, the renaming, and the relocation.
  • Marisol Charbonneau’s 2007 article documenting KG’s 2006 “Myths and Legends” program and Vodoun ritual.
  • Charbonneau’s 2008 master’s thesis documenting the 2007 gathering at Whispering Pines and its importance to Montreal Pagans.
  • The Temple of the Sacred Grove webpage preserving the dates and venue for KG 2007 and detailed information about KG 2008.
  • The 2006 Toronto LiveJournal notice identifying Pamela Fletcher as director.
  • Francis Perron’s 2009 documentary.
  • The official 2011 festival program containing Gina Ellis’s biographical note and the 22-year anniversary calculation.
  • The official KG FAQ, Dragonfly history, and program archive.
  • Dodie Graham McKay’s 2014 retrospective in The Wild Hunt.
  • Linda Seccaspina’s community history of Witch Hollow.
  • Martin Lepage’s 2017 doctoral dissertation.
  • Publicly indexed participant memories concerning MiniFest and Gina Ellis’s land.

References

Bowman, M. (2000). Nature, the natural and Pagan identity. DISKUS, 6. https://jbasr.com/basr/diskus/diskus1-6/bowman6.txt

Charbonneau, M. (2007). The melting cauldron: Ethnicity, diversity, and identity in a contemporary Pagan subculture. The Pomegranate, 9(1), 5–21. https://journal.equinoxpub.com/POM/article/view/2899

Charbonneau, M. (2008). A distinct Paganism: The contemporary Pagan revival in Montreal at the turn of the millennium [Master’s thesis, University of Ottawa]. https://www.academia.edu/9965797/A_Distinct_Paganism_The_Contemporary_Pagan_Revival_in_Montreal_At_the_Turn_of_the_Millennium

Kaleidoscope Gathering. (2011). Voyages: The 22nd annual Kaleidoscope Gathering [Festival program]. https://kg.ravensknoll.ca/wp-content/uploads/2025/02/KG-2011-Program_final_display-3.pdf

Kaleidoscope Gathering. (n.d.-a). Registration. https://kg.ravensknoll.ca/registration/

Kaleidoscope Gathering. (n.d.-b). The dragonfly. https://kg.ravensknoll.ca/information/the-dragonfly/

Kaleidoscope Gathering. (n.d.-c). FAQ. https://kg.ravensknoll.ca/information/faq/

Lepage, M. (2017). “Why be king? I’m already a queen!”: Performances rituelles et négociations queer dans la communauté néo-païenne de Montréal [Doctoral dissertation, Université du Québec à Montréal]. Archipel. https://archipel.uqam.ca/10924/1/D3311.pdf

McKay, D. G. (2014, June 20). Column: Pagan festival season in Ontario. The Wild Hunt. https://wildhunt.org/2014/06/walking-the-world-pagan-festival-season-in-ontario.html

Pearce, R. (2001, November 7). Re: Windows XP and BIOS strange things happen [Newsgroup post]. Google Groups. https://groups.google.com/g/comp.windows.misc/c/EXZMrirC3rQ

Perron, F. (Director). (2009). Merry Meet: The story of the Kaleidoscope Gathering [Documentary film]. https://www.thewicca.ca/culture/video/francis-perron-merry-meet.php

Plutopsyche. (2006, July 19). Tomorrow night: Wine, Dine & Divine @ Mitzi’s Sister [Online community post]. Toronto LiveJournal. https://toronto.livejournal.com/4467634.html

Rabinovitch, S. T. (2011). The encyclopedia of modern witchcraft and neo-paganism (2nd ed.). Kendall Hunt.

Seccaspina, L. (2016, March 3). The Witch Hollow of Lanark County. Linda Seccaspina’s Blog. https://lindaseccaspina.wordpress.com/2016/03/03/the-witch-hollow-of-lanark-county/

Temple of the Sacred Grove. (2008). Temple events and events upcoming. https://www.templesacredgrove.org/

The Fire Did Not Go Out

Figures in a circle performing a ritual around a glowing crystal emitting spiritual energy

This is the first in a three part reflection on community, spiritual practice, identity, and what has changed.

There was a time when I spoke about the Pagan community as though it were one place.

Not necessarily one physical place, but a shared home. A collection of people connected through belief, ritual, land, history, music, fire, and the understanding that many of us had already spent much of our lives standing outside conventional doors.

In older posts, I wrote about losing that sense of community. I wrote about Raven’s Knoll, about roots being forgotten, and about people who helped build something eventually finding themselves standing outside it.

When the old Unplugged Pagan header came down, I described it as a small funeral. It was a recognition that a place could once have been sacred to me without remaining my spiritual home forever.

Later, in Leaving Home in the Spirit of Hávamál 127, I wrote more directly about frith, betrayal, silence, and the difference between saying that everyone is welcome and actually making room for them.

Those things mattered.

They still matter.

I do not withdraw what I wrote simply because time has passed. Healing does not require pretending that nothing happened. Forgiveness, where it is possible, does not require rewriting history.

What has changed is how much authority I allow those experiences to have over the rest of my life.

For a while, the loss of one community felt like the loss of community itself.

When a place has carried years of memory, labour, friendship, ritual, and identity, leaving it can feel like being separated from part of your own history.

But the fire did not belong to one place.

The gods did not remain behind a gate.

The ancestors did not stop speaking because a relationship ended.

The land beneath my feet did not become less sacred because I was no longer part of a particular circle.

The fire travelled.

It travelled into my garden, my writing, my small daily rituals, my conversations, and the quiet moments when I remembered that spirituality does not require an audience.

Years ago, when I first wrote about the spirituality of firekeeping, I understood the firekeeper primarily through the gathering. The firekeeper prepared the space, chose the wood, watched the flame, supported the ritual, and helped create warmth and connection for the people around it.

I still believe in that work.

What I understand more clearly now is that firekeeping does not end when the gathering does.

Sometimes the firekeeper’s work is protecting one clean ember after everyone else has gone home.

Sometimes it is carrying that ember into unfamiliar ground.

Sometimes it is realizing that the flame was never the property of the hall, the festival, the landowner, the organization, or the crowd.

I once described myself as a Pagan firekeeper without a Pagan community.

There was truth in that sentence, but I would phrase it differently today.

I am a Pagan firekeeper whose community is no longer defined by one property, one organization, one gathering, or one group of people.

Community can be the person who reads something I wrote and realizes they are not alone.

It can be the quiet exchange between two people who recognize the same struggle.

It can be a shared meal, a remembered song, a conversation beside a fire, or a reader returning years later to say that a few words mattered.

That may be smaller than the grand idea of community I once carried.

It may also be more honest.

Belonging and Access Are Not the Same

I have also learned that belonging and access are not the same thing.

Someone can deny you access to a place. They can remove your name from a list, stop answering messages, or decide that your questions are inconvenient.

They cannot decide whether your experiences were real.

They cannot erase the work you contributed.

They cannot revoke your relationship with your gods, your ancestors, or the land.

Most importantly, they cannot determine what you build next.

What I Am Building Now

I do not want Unplugged Pagan to become a permanent record of one injury.

That story is part of the road, but it is not the destination.

The purpose now is to keep creating.

To write honestly about solitary practice.

To explore what tradition means when it is lived rather than performed.

To question ideas that deserve questioning.

To keep what remains useful and release what has become dead weight.

To create a place where someone who has lost a spiritual home can discover that the sacred world did not disappear with it.

There are still times when the old anger returns.

There are still questions that may never receive satisfactory answers.

The difference is that I no longer believe I must resolve every old conflict before I am permitted to move forward.

Some doors remain closed.

That is all right.

I have stopped standing outside them.

There is work to do elsewhere.

The fire did not go out.

It simply changed hands.

Godspeed.

Next in the series: What Stayed When the Ritual Changed.

The Changing Face of Raven’s Knoll

Outdoor historical festival with tents, people, campfire, and lakeside barn

From Permanent Pagan Land to a Multi Event Destination, 2009–2026

Abstract

Raven’s Knoll opened near Eganville, Ontario, in 2009 as both a privately owned campground and a community project connected closely to the Kaleidoscope Gathering. Its early public language described the property as “permanent Pagan land,” a Pagan owned event centre, a community driven space and, eventually, a sacred home shared by people from multiple Pagan and Heathen traditions. However, Raven’s Knoll was never exclusively a communal religious settlement. From its earliest years, it also operated as a private special events campground, charged admission, hosted independent gatherings and established rules governing access and conduct.

Between 2009 and 2026, the most significant change was not a sudden conversion from sacred land into a commercial venue. It was a gradual broadening of the events, audiences, enterprises and identities associated with the property. Pagan festivals, Heathen rites, Witchcraft retreats, live action role playing events and volunteer work weekends were eventually joined by yoga, holistic wellness, ecstatic dance, fire oriented gatherings and a large electronic bass music festival.

The public presence of Howling Acres Homestead at Raven’s Knoll adds another dimension to this development. Howling Acres identifies itself with Raven’s Knoll while promoting eggs, livestock, produce and workshops. Its presence introduces agriculture, animal husbandry, food production and year round homestead activity into a property previously presented primarily through camping, spirituality and seasonal gatherings. Raven’s Knoll is therefore developing not only as a broader event venue, but also as a mixed use rural property where festivals, residence, agriculture and private enterprise operate alongside one another (Howling Acres Homestead, n.d.).

At the same time, the public vocabulary surrounding Raven’s Knoll increasingly shifted from home, family, folk and community toward hosted at, private event, special events campground, passes, ticket upgrades, festival goers and venue amenities.

The changing face of Raven’s Knoll is therefore best understood as a change in emphasis: from a Pagan community whose events helped create the identity of the land toward a privately managed property that now supports spiritual gatherings, independently branded festivals, commercial events, agriculture, residence and year round enterprise.

Scope and Method

This analysis examines publicly available material from the opening of Raven’s Knoll in 2009 through August 2, 2026. Sources include official Raven’s Knoll, Kaleidoscope Gathering and Hail and Horn Gathering pages, archived KG programs, academic research, event websites, public social media listings, independent Pagan reporting, local journalism and surviving promotional material.

The event inventory should be understood as the most complete list that can presently be reconstructed from the indexed public record. It is not proof that no other event occurred. Private weddings, handfastings, memorials, organizational retreats, small rentals and gatherings advertised only within closed groups are unlikely to appear in a public search.

The Opening of Raven’s Knoll: Two Identities From the Beginning

The documented history begins in 2009. The current KG FAQ states that the new Kaleidoscope Gathering organizers purchased what it calls “permanent Pagan land for KG” that year. Independent reporting states that Raven’s Knoll opened its gates in 2009 as a Pagan owned campground and festival site. The first KG held on the property followed in 2010 (Kaleidoscope Gathering, n.d.-a; Graham McKay, 2017).

Academic research provides an important additional detail. Barbara Jane Davy identifies the seventh annual Midgard Festival in 2010 as the first festival held at Raven’s Knoll. The inaugural Raven’s Knoll Procession of Nerthus was conducted during that event. KG was held on the land later in the same season. Raven’s Knoll therefore did not open with KG alone. Its first documented festival was a regional Pagan and Heathen gathering that immediately began creating a ritual relationship between the participating community and the land (Davy, 2025).

The official 2011 KG program shows that the community and venue identities already existed together. It described Raven’s Knoll as:

“a private, Pagan-owned campground and event centre.”

The program also discussed growing Pagan events and nurturing permanent sacred spaces. This is important because it prevents an overly simple historical argument. Raven’s Knoll was not originally described only as a sacred communal home and then reclassified much later as an event business. The terms private, campground and event centre were present almost from the beginning (Kaleidoscope Gathering, 2011).

What differed in the early years was the relationship between those functions. The event centre infrastructure appeared to exist primarily to support a developing Pagan community. Sacred spaces, shrines, rituals, work weekends and recurring gatherings gave Raven’s Knoll a distinct identity that extended beyond providing land and facilities.

Phase One: Establishing Pagan and Heathen Land, 2010–2012

Midgard Festival

Midgard Festival was the first publicly documented festival at Raven’s Knoll in 2010. Its Procession of Nerthus connected the new property to a recurring Heathen ritual cycle. The procession later continued through the Well and Tree Gathering, illustrating how activities originally performed at an established festival became embedded in the identity and sacred geography of Raven’s Knoll itself (Davy, 2022, 2025).

Kaleidoscope Gathering

KG arrived at Raven’s Knoll in 2010. The official archive contains annual programs from 2010 onward, excluding years affected by disruptions to normal programming. KG became the property’s marquee festival and was repeatedly described as Canada’s largest outdoor Pagan gathering. Its programming combined rituals, workshops, performances, children’s activities, Pride events, drumming, dancing, vending and community organized teaching (Kaleidoscope Gathering, n.d.-b; Graham McKay, 2014).

The early KG vision emphasized active participation rather than passive consumption. Lady Pamilla’s principle that “everyone has something to learn and something to teach” remains on the current registration page. The 2011 program shows a schedule largely created through workshops, rituals, tournaments, meet and greets, concerts and events contributed by community members (Kaleidoscope Gathering, 2011, n.d.-c).

Fallen Kingdom LARP

Raven’s Knoll also hosted nonfestival recreational events during its early years. Fallen Kingdom used the property for immersive outdoor live action role playing events by at least 2011. A 2013 account describes a coordinated 36 hour LARP in the woods at Raven’s Knoll, while surviving community posts refer to the campground becoming the outdoor home of the game. This demonstrates that the property began accommodating independently organized events outside the core Pagan festival format early in its history (Fallen Kingdom LARP, 2011; Ottawa Gothic Designs, 2013).

Hail and Horn Gathering

The first Hail and Horn Gathering took place in 2012. During that gathering, participants established the Raven’s Knoll Æsir Vé, described by organizers as the first publicly accessible Canadian place of worship set aside for pre Christian Scandinavian and Germanic holy powers. Hail and Horn developed rituals, communal feasts, workshops, storytelling, gift exchanges and annual god pole raisings. It remains a volunteer supported religious gathering rather than simply a themed entertainment event (Hail and Horn Gathering, n.d.; Harmsworth, 2015).

By the end of 2012, Raven’s Knoll was already functioning in several ways: as KG’s permanent location, a regional Heathen ritual centre, a campground, a private event property and an outdoor LARP venue.

Phase Two: A Dense Community of Pagan Events, 2013–2019

The Witches’ Sabbat

The first Witches’ Sabbat was held at Raven’s Knoll in 2013. Its original promotion described an intensive weekend of Witchcraft, spirit work, cunning arts, land spirits and an ecstatic rite honouring the Horned Lord. By 2016, it was entering its fourth year. The event was deliberately smaller and more specialized than KG, focusing on non Wiccan Witchcraft rather than attempting to represent the entire Pagan spectrum (The Witches’ Sabbat, 2013; Graham McKay, 2016).

KornuKopia Gathering

KornuKopia Gathering was publicly documented at Raven’s Knoll by 2013 and continued through later years as a harvest season Pagan gathering. Surviving recordings show performances at KornuKopia in 2013 and 2017. The 2026 edition is publicly listed as hosted jointly by Christina Graham and Raven’s Knoll, showing that it remains part of the property’s current event cycle.

Work Weekends

Volunteer work weekends became an important part of the Raven’s Knoll model. Participants camped while working on maintenance, cleanup, construction and improvements. In 2014, Raven’s Knoll was described as holding work weekends where volunteers improved the site or cleaned the land after major festivals. Later academic research interpreted these weekends as part of a gift economy that strengthened attachment, stewardship and a feeling of returning “home” (Graham McKay, 2014; Davy, 2025).

This activity complicates any attempt to describe early visitors simply as customers. Many participants contributed labour to land that they did not legally own. Their relationship was based partly on belonging, reciprocity and responsibility rather than solely on purchasing admission.

Seven Festivals, LARP and Spiritual Retreats

By 2014, Raven’s Knoll was already far more than a one festival property. Contemporary reporting called it a “community-driven space” and stated that it would host seven festivals during the season, along with LARP events, spiritual retreats and volunteer work weekends. Although the public calendars supporting every one of those seven events are no longer accessible, the report demonstrates that multi event use was well established by the middle of the Knoll’s first decade (Graham McKay, 2014).

Red Spiral Women’s Retreat

A surviving Canadian Pagan festival directory lists the Red Spiral Women’s Retreat at Raven’s Knoll from August 22 to 24, 2014. Its inclusion demonstrates that the site hosted identity specific or practice specific retreats in addition to large mixed path gatherings.

Feast of Sekhmet

The Feast of Sekhmet was publicly listed at Raven’s Knoll in July 2015 as a Kemetic gathering. The same period’s festival records list Witches’ Sabbat, Hail and Horn and KG at the property. Raven’s Knoll was therefore supporting communities centred on Egyptian reconstructionism, Heathenry, Witchcraft and broader Paganism during the same season (Aradia, 2015).

Weddings, Handfastings and Rites of Passage

The land also became a setting for personal and community rites of passage. A 2017 history records a wedding at Raven’s Knoll and includes reference to rituals involving children and first footing ceremonies. These events strengthened the idea that the Knoll was not merely somewhere people attended festivals. It was becoming a place where members of the community marked relationships, childhood, family formation and spiritual development (Graham McKay, 2017).

Rites of Raven’s Knoll

The 2017 publication of Rites of Raven’s Knoll represented a significant point in the property’s self understanding. The book collected essays, poetry, ritual scripts, songs and memories from 28 contributors. Austin Lawrence described Raven’s Knoll as a place where different traditions and outlooks gathered to create “a single place a sacred home.” Contributors emphasized cooperation among Wiccans, Heathens, Druids, Hellenists and Witchcraft practitioners (Graham McKay, 2017).

The book was not simply advertising for a campground. It was an attempt to record an emerging culture, shared mythology and ritual landscape. Contributors explicitly described it as a baseline against which future changes could be evaluated.

Well and Tree Gathering

Well and Tree Gathering was documented at Raven’s Knoll in 2018 and 2019 through participant observation research. The gathering included the Procession of Nerthus, offerings, ritual use of the Sacred Well and participation by Heathens and people from other traditions. Davy describes approximately 50 participants at one gathering and examines how the event encouraged generosity, ecological responsibility and attachment to place (Davy, 2022, 2025).

Stave and Spindle

Stave and Spindle was held at Raven’s Knoll in September 2019. Its public wording described an annual adults only weekend dedicated to northern European magical practices, including seiðr, spaecraft, galdr, divination, workshops and a culminating ritual. This was another focused gathering built around intensive religious or esoteric practice rather than mass entertainment.

Three Rivers Festival

Raven’s Knoll’s public video archive also identifies Three Rivers Festival as an event connected to the property. Surviving recordings document live performances on the Raven Stage, although the available public evidence does not establish a reliable first or final year. It should therefore be included in the historical inventory but not assigned a precise starting date without additional archival material.

Phase Three: From Interconnected Traditions to Broader Event Markets

By 2017, Raven’s Knoll was being described as a multi faith Pagan community with a unique seasonal cycle produced through the interaction of different religious paths. The events were independent, but participants frequently crossed between them. A Wiccan might help at a Heathen gathering, a Druid might assist at a Witchcraft event and unaffiliated participants might volunteer throughout the season. The collective activity of these overlapping groups created the Raven’s Knoll identity (Graham McKay, 2017).

Academic work from 2018 onward continued to describe Raven’s Knoll as a private campground and spiritual retreat centre. It identified a recognizable “Heathens of Raven’s Knoll” community whose members participated in Hail and Horn, Stave and Spindle and Well and Tree. These studies show that the religious community identity continued well beyond the property’s opening years (Davy, 2023, 2025).

However, the language of the property as an administratively controlled venue also became more explicit. The 2019 Raven’s Knoll policies described attendees as guests of Raven’s Knoll Ltd. at the “Raven’s Knoll Special Events Campground.” This formal wording established the legal relationship clearly: community members might experience the land as home, but they remained guests on privately controlled corporate property (Raven’s Knoll, 2019).

That distinction became increasingly important as the event mix widened beyond communities directly connected to Paganism, Heathenry and Witchcraft.

Phase Four: Wellness, Lifestyle and Independently Branded Festivals

Bhakti Bliss Yoga and Music Festival

Bhakti Bliss represents a wider spiritual and wellness audience. Its programming includes yoga, kirtan, ecstatic dance, holistic workshops, sound healing, family activities and community bonfires. Its language emphasizes devotion, compassion, connection and a substance free environment. The 2026 festival runs from August 7 to 9 (Bhakti Bliss, n.d.-a, n.d.-b).

Bhakti Bliss does acknowledge sacred sites and community, but its description of Raven’s Knoll is primarily operational:

“a special events campground”

The accompanying text lists the property’s acreage, activity building, rentals, laundry, showers, playground, bicycles and food truck. Raven’s Knoll is presented as the equipped location in which the Bhakti Bliss community can temporarily gather (Bhakti Bliss, n.d.-c).

This differs from early Raven’s Knoll events. Hail and Horn, KG and Witches’ Sabbat helped create Raven’s Knoll’s sacred sites and internal traditions. Bhakti Bliss imports a distinct spiritual identity into an already developed venue.

Stone and Flame Gathering

A public Raven’s Knoll post identifies a first annual Stone and Flame Gathering, documenting the creation of another specialized gathering in the recent event cycle. It has continued into 2026. Available event listings place the 2026 gathering from August 28 to 30, although one third party listing contains a conflicting September date. The August listing is the more consistently reported date, but direct organizer confirmation would be preferable before publication of a visitor guide.

Fire Mongers

Fire Mongers appears in Raven’s Knoll’s recent seasonal programming and is publicly scheduled for the Labour Day weekend of September 4 to 7, 2026. The event is listed as hosted by Christina Graham and Raven’s Knoll. Its public documentation further illustrates the growth of shorter, independently identifiable gatherings around the larger established festivals.

Phase Five: KN¿WHERE and the Commercial Festival Threshold

The proposed arrival of KN¿WHERE Music Festival in 2025 marked the clearest expansion beyond Raven’s Knoll’s historical event scale and cultural audience. Promotional coverage described Raven’s Knoll as KN¿WHERE’s “upgraded venue” and advertised more than 90 electronic music acts on three stages, extended music hours, expanded camping, a private beach and a large scale immersive bass music experience (Ottawa Festival Network, 2025; Javaheri, 2025).

Local reporting said the proposed event might host as many as 5,000 people. Nearby residents raised concerns about amplified music continuing until 4 a.m., traffic, emergency services and the effect on neighbouring homes and businesses. Whether every concern was ultimately justified is a separate question. The significance for Raven’s Knoll’s public identity is that the property was now being discussed in municipal and local media as the proposed location for a major regional entertainment event rather than primarily as a Pagan campground (Lambert, 2025).

The September 2025 Raven’s Knoll edition did not proceed. Organizers announced a move to Toronto because of wildfire risk and provided ticket holders with access to a future Raven’s Knoll edition (Lisinski, 2025).

KN¿WHERE subsequently operated at Raven’s Knoll from June 5 to 7, 2026. The official festival site called the event the “ultimate evolution” of KN¿WHERE’s indoor Toronto shows and promoted an overnight experience combining bass music, art, wellness and camping. It advertised more than 90 acts performing on three stages “all through the night.” Independent event coverage published set times and a large artist lineup immediately before the gathering, supporting that the 2026 event moved beyond the proposal stage (KN¿WHERE Music Festival, n.d.; Hall, 2026).

KN¿WHERE does use the words community, connection and transformative. However, this community is created by the festival brand rather than by Raven’s Knoll’s Pagan history. On the KN¿WHERE website, Raven’s Knoll supplies the forest, beach, paths, camping areas and physical infrastructure. KN¿WHERE supplies the identity, audience, music and experience.

Publicly Verifiable Raven’s Knoll Event Inventory

Event or Activity Earliest Public Evidence at Raven’s Knoll Primary Character Evidentiary Status
Midgard Festival 2010 Pagan and Heathen festival Identified in academic research as the first festival held at Raven’s Knoll.
Kaleidoscope Gathering 2010 Pan Pagan, Witchcraft, Heathen and occult gathering Confirmed by the official FAQ and continuous program archive.
Fallen Kingdom LARP 2011 Outdoor live action role playing Public forum and 2013 organizer documentation.
Hail and Horn Gathering 2012 Heathen religious gathering Official site identifies 2012 as the first gathering and founding of the Vé.
Witches’ Sabbat 2013 Intensive Witchcraft retreat First annual event publicly advertised in 2013.
KornuKopia Gathering By 2013 Pagan harvest gathering Recordings and public Raven’s Knoll posts; still active in 2026.
Volunteer work weekends Documented by 2014 Maintenance, stewardship and community labour Contemporary reporting and later academic analysis.
Red Spiral Women’s Retreat 2014 Women’s spiritual retreat Listed in a surviving Canadian Pagan event directory.
Feast of Sekhmet 2015 Kemetic religious gathering Listed in contemporary Canadian Pagan festival coverage.
Weddings, handfastings and rites of passage Documented by 2017 Private and community ceremonies Recorded in the history surrounding Rites of Raven’s Knoll.
Rites of Raven’s Knoll launch and associated cultural activity 2017 Literary and community history event Independent Pagan reporting.
Well and Tree Gathering Documented 2018–2019 Heathen led, multi path ritual gathering Peer reviewed and academic participant observation research.
Stave and Spindle 2019 Heathen magic and esoteric practice Official gathering page and event documentation.
Three Rivers Festival Date uncertain Music and festival programming Preserved in Raven’s Knoll’s public video archive.
Bhakti Bliss Yoga and Music Festival Documented in recent annual programming Yoga, kirtan, wellness and music Active, with 2026 dates and ticketing.
Stone and Flame Gathering First annual event publicly documented in the 2020s Specialized spiritual gathering Raven’s Knoll social documentation and 2026 listing.
Fire Mongers Documented by 2025 Themed gathering Active and scheduled for September 2026.
KN¿WHERE Music Festival Planned for 2025; held in 2026 Large electronic bass, art and wellness festival Official festival site, event coverage and local reporting.

The Specific Wording Changes

The evolving public identity can be demonstrated through the language used at different points in the property’s history.

2009: “Permanent Pagan Land for KG”

The official KG account describes the original purchase as:

“permanent Pagan land for KG.”

The central subject is KG and the Pagan community. The property is land acquired to secure that community’s future (Kaleidoscope Gathering, n.d.-a).

2011: “Private, Pagan Owned Campground and Event Centre”

The 2011 program called Raven’s Knoll:

“a private, Pagan-owned campground and event centre.”

This wording contains all the major elements that later become important: private ownership, Pagan identity, campground services and event operations. However, the same material connected the event centre function to growing Pagan events and permanent sacred spaces (Kaleidoscope Gathering, 2011).

2014: “Community Driven Space”

Independent Pagan coverage described Raven’s Knoll as:

“This community-driven space.”

Its seven festivals, LARP events, retreats and work weekends were presented as the activity of an interconnected community caring for a special place (Graham McKay, 2014).

2017: “A Single Place a Sacred Home”

The language surrounding Rites of Raven’s Knoll described traditions gathering to make:

“a single place a sacred home.”

At this point, home referred not merely to affection for the owners or property. It referred to a place jointly sacralized through rituals, labour, relationships, shrines and repeated participation (Graham McKay, 2017).

2019: “Guests of Raven’s Knoll Ltd.”

The 2019 policies stated that participants were:

“a guest of Raven’s Knoll Ltd.”

The location was formally identified as the “Raven’s Knoll Special Events Campground.” The emotional relationship might be home or family, but the legal and administrative relationship was owner and guest (Raven’s Knoll, 2019).

Current KG Wording: “Where Kaleidoscope Gathering Is Hosted”

The current KG website describes Raven’s Knoll as:

“Where Kaleidoscope Gathering is Hosted”

and as:

“a Pagan Campground offering many additional smaller festivals and general camping.”

The word hosted separates the identity of KG from the identity of the property. KG is now grammatically one activity taking place at a campground that serves multiple events and general campers (Kaleidoscope Gathering, n.d.-c).

Current FAQ: “Everyone Is Welcome. However, This Is a Private Event”

The KG FAQ states:

“Everyone is welcome. However, this is a private event.”

That qualification places openness beside ownership and organizational authority. The invitation remains, but access is conditional upon registration, rules and the discretion of the private event’s organizers (Kaleidoscope Gathering, n.d.-a).

The same FAQ retains an older emotional formulation:

“we are all family!”

The language of family therefore has not disappeared. It now appears within a page that also discusses passes, registration, cabin payments, guest responsibilities, private event rules and onsite services.

External Campground Wording: “Specializing in Group Camping and Special Events”

A public tourism listing describes Raven’s Knoll as:

“a campground specializing in group camping and special events.”

This description targets the general camping and tourism market. Paganism is not necessary to understand the service being offered. The property is framed through acreage, camping, rentals, beach access, bicycles, food service and event availability (Ontario By Bike, 2023).

Bhakti Bliss: “A Special Events Campground”

Bhakti Bliss uses the direct label:

“a special events campground.”

The festival then lists the amenities supplied by Raven’s Knoll. Bhakti Bliss creates the spiritual and emotional invitation; Raven’s Knoll provides the venue (Bhakti Bliss, n.d.-c).

KN¿WHERE: “The Ultimate Evolution”

KN¿WHERE describes itself as:

“the ultimate evolution”

of its previous branded shows and promises more than 90 acts across three stages through the night. Raven’s Knoll appears as the destination where that branded evolution takes place (KN¿WHERE Music Festival, n.d.).

This is the clearest reversal of the early relationship. In the foundational language, the community created Raven’s Knoll as its permanent land. In the KN¿WHERE language, an external festival brand selects Raven’s Knoll as the site on which to deliver its own experience.

What Has Actually Changed?

The evidence does not support the claim that Raven’s Knoll began as a noncommercial commune and only recently became an event venue. It was privately owned, charged admission and used the phrase event centre by 2011. Rules, private property rights, registration fees and organized access are not recent inventions.

The evidence does support five more precise conclusions.

  1. The range of event identities has expanded. Early programming overwhelmingly involved Pagan, Heathen, Witchcraft, esoteric or closely related alternative spiritual communities. Current programming also reaches yoga and holistic wellness participants, lifestyle event audiences, fire themed gatherings and the commercial electronic music market.

  2. The scale of the largest proposed events has changed. Early Raven’s Knoll events involved hundreds of attendees and were supported substantially by volunteers. The 2025 KN¿WHERE proposal introduced public discussion of a possible audience of up to 5,000 people, multiple large stages and amplified music extending to 4 a.m.

  3. The community and the venue are increasingly separable. Midgard, KG, Hail and Horn, Witches’ Sabbat and work weekends contributed directly to the rituals, shrines, stories and physical features that became Raven’s Knoll. Newer independent festivals can use those features without becoming part of the same historical or spiritual community.

  4. The participant relationship has become more varied. A person may still arrive as a volunteer, Heathen, Witch, Pagan, ritual participant or member of the extended Knoll community. Another person may arrive solely as a ticket holder attending a yoga festival or bass music event. Both occupy the same land, but they do not necessarily share the same relationship with it.

  5. “Home” has become one layer of the branding rather than a complete description of the operation. For long term participants, Raven’s Knoll may sincerely remain home in an emotional and spiritual sense. For the company and event organizers, it is simultaneously private property, a licensed campground, an equipped event venue and a source of rental and festival infrastructure.

Conclusion

The changing face of Raven’s Knoll is not a story in which one identity vanished overnight. Paganism, Heathenry, ritual practice, sacred sites, volunteer labour and the language of home remain visible. KG and Hail and Horn continue to operate, and current Raven’s Knoll promotion still speaks about sacred circles, community and connection.

The deeper change is structural.

At the beginning, Raven’s Knoll’s events helped create the identity of Raven’s Knoll. Midgard established ritual relationships with the land. KG provided the central community. Hail and Horn established a permanent Vé. Witches’ Sabbat, KornuKopia, Well and Tree, Stave and Spindle, Feast of Sekhmet and volunteer work weekends added sacred spaces, practices, stories and overlapping relationships.

Increasingly, Raven’s Knoll also functions in the opposite direction: the property provides land, facilities and atmosphere to events that arrive with identities of their own.

That is the documented movement from:

permanent Pagan land created for a gathering

to:

a Pagan owned special events campground hosting multiple gatherings

and finally toward:

a multi market event destination whose historical Pagan identity is one part of a broader venue operation.

The public presence of Howling Acres adds another layer to this development. Raven’s Knoll is also becoming a place where agriculture, livestock, produce, workshops and year round homestead activity exist alongside sacred land, seasonal camping and commercial festivals.

The older language has not been erased. It has been layered beneath newer administrative, tourism, agricultural and festival language. Raven’s Knoll can therefore continue to tell established participants that they are coming home while telling independent organizers and new audiences that it is an equipped campground where their event can be hosted.

That coexistence, rather than the complete disappearance of Pagan identity, is the clearest evidence of the changing face of Raven’s Knoll.

References

Aradia, S. (2015, May 28). All the Canadian Pagan festivals! Patheos. https://www.patheos.com/blogs/betweentheshadows/2015/05/all-the-canadian-pagan-festivals/

Bhakti Bliss. (n.d.-a). Bhakti Bliss Yoga & Music Festival. Retrieved August 2, 2026, from https://www.bhaktibliss.ca/

Bhakti Bliss. (n.d.-b). Get tickets: Bhakti Bliss 2026. Retrieved August 2, 2026, from https://www.bhaktibliss.ca/gettickets

Bhakti Bliss. (n.d.-c). About the festival. Retrieved August 2, 2026, from https://www.bhaktibliss.ca/lineup

Davy, B. J. (2022). Reconstructing the Procession of Nerthus: A contemporary Heathen ritual offering of sacrifice. The Pomegranate. https://journal.equinoxpub.com/POM/article/view/24259

Davy, B. J. (2023). Inclusive Heathens practice ancestor veneration, but not pride in ancestry. Nova Religio, 26(3), 30–51. https://doi.org/10.1525/nr.2023.26.3.30

Davy, B. J. (2025). Wyrd ecology: Heathen ritual and gifting relations. Oxford University Press. https://academic.oup.com/book/59759/chapter/508287541

Fallen Kingdom LARP. (2011, June 30). Welcome to Fallen Kingdom LARP. https://www.tapatalk.com/groups/fallenkingdom/welcome-to-fallen-kingdom-larp-t41.html

Graham McKay, D. (2014, June 20). Column: Pagan festival season in Ontario. The Wild Hunt. https://wildhunt.org/2014/06/walking-the-world-pagan-festival-season-in-ontario.html

Graham McKay, D. (2016, March 16). Preparing for Ontario’s Witches’ Sabbat Festival 2016. The Wild Hunt.

Graham McKay, D. (2017, April 25). Community experience at Raven’s Knoll documented in new book. The Wild Hunt. https://wildhunt.org/2017/04/the-community-experience-at-ravens-knoll-documented-in-new-book.html

Hail and Horn Gathering. (n.d.). Information. Retrieved August 2, 2026, from https://hhg.ravensknoll.ca/information/

Hall, J. (2026, June 2). KN¿WHERE Music Festival 2026. The Daily Frequency. https://thedailyfrequency.com/edm-event/knwhere-music-festival-2026/

Harmsworth, J. J. (2015). Canadian Heathens and their quest for a “virtuous” self: An ethnographic study of the construction of identity and community [Doctoral dissertation, University of Edinburgh]. Edinburgh Research Archive. https://era.ed.ac.uk/handle/1842/16458

Howling Acres Homestead. (n.d.). Howling Acres Homestead [Instagram profile]. Instagram. Retrieved August 2, 2026, from https://www.instagram.com/howlingacreshomestead/

Javaheri, A. (2025, June 13). KN¿WHERE Festival reveals upgraded venue: Raven’s Knoll in North Algona Wilberforce, Ontario. Stage Hoppers. https://stagehoppers.com/knwhere-festival-reveals-upgraded-venue-ravens-knoll-in-north-algona-wilberforce-ontario-canada/

Kaleidoscope Gathering. (2011). The 22nd annual Kaleidoscope Gathering program [Festival program]. https://kg.ravensknoll.ca/wp-content/uploads/2025/02/KG-2011-Program_final_display-3.pdf

Kaleidoscope Gathering. (n.d.-a). Frequently asked questions. Retrieved August 2, 2026, from https://kg.ravensknoll.ca/information/faq/

Kaleidoscope Gathering. (n.d.-b). Previous programs. Retrieved August 2, 2026, from https://kg.ravensknoll.ca/previous-programs/

Kaleidoscope Gathering. (n.d.-c). Registration. Retrieved August 2, 2026, from https://kg.ravensknoll.ca/registration/

KN¿WHERE Music Festival. (n.d.). About KN¿WHERE Music Festival. Retrieved August 2, 2026, from https://knwherefest.ca/about/

Lambert, A. (2025, July 3). “You have no idea what you’re asking for”: NAW residents urge council to reconsider hosting thousands for “rave” music festival. The Eganville Leader. https://www.eganvilleleader.ca/news/you-have-no-idea-what-youre-asking-for-naw-residents-urge-council-to-reconsider-hosting-thousands-for-rave-music-festival/

Lisinski, M. (2025, August 28). KN¿WHERE Music Festival moves from Raven’s Knoll to Toronto due to wildfire risk. Ottawa Festival Network. https://www.ottawafestivals.ca/post/kn-where-music-festival-moves-from-raven-s-knoll-to-toronto-due-to-wildfire-risk

Ontario By Bike. (2023, April 20). Raven’s Knoll Campground. https://www.ontariobybike.ca/business-directory/listing/campgrounds/

Ottawa Festival Network. (2025, July 17). Introducing KN¿WHERE Music Festival at Raven’s Knoll. https://www.ottawafestivals.ca/post/introducing-nw-where-music-festival-at-raven-s-knoll

Ottawa Gothic Designs. (2013). Fallen Kingdom LARP 2013. https://ottawagothicdesigns.wordpress.com/events/fallen-kingdom-larp-2013/

Raven’s Knoll. (2019). Raven’s Knoll policies, rules and terms of registration. https://kg.ravensknoll.ca/wp-content/uploads/2019/07/Ravensknoll-Policies-2019.pdf

Stave and Spindle. (2019). Stave and Spindle: A weekend of Heathen sorcery. https://staveandspindle.weebly.com/

The Witches’ Sabbat. (2013). The first annual Witches’ Sabbat at Raven’s Knoll. https://www.mysticwicks.com/showthread_266001-the-witches-sabbat-at-raven-s-knoll-ontario_s_7941bc6205b6a2cd849b5b4915ddec4f/

The Root-and-Road Compass: Ogham, Runes, and the Storm Wayfinder

Viking-style compass with runes and tree design on ancient map

I have been sitting with the idea of the so-called Norse compass again. Not as a museum piece. Not as something I can honestly claim came straight out of the Viking Age. That part matters.

The symbol most people call the Norse compass is usually the Vegvísir, an Icelandic magical stave associated with finding one’s way through rough weather. It is powerful imagery, but it is not ancient Viking proof. It is a later symbol. That does not make it useless. It just means we should stop pretending it is something it is not.

And that is where this thought gets interesting.

What happens if we stop trying to prove ownership over the symbol and instead ask what it can become when placed beside older systems of marking, naming, and remembering?

What happens when Ogham meets Elder Futhark?

North ᛁ Isa / Ailm Stillness ᚨ Ansuz / Coll Counsel East ᚲ Kenaz / Beith Kindling ᚱ Raidho / Ash Road South ᛋ Sowilo / Oak Standing ᚾ Nauthiz / Alder Need West ᛚ Laguz / Willow Memory ᛇ Eihwaz / Yew Boundary Root and Road
A modern symbolic compass: Ogham as root, rune as road, storm-stave as wayfinding.

First, the honest line

This is not me claiming that the Celts and Norse sat down together and designed a secret compass. That would be a nice story, but nice stories are not the same thing as true stories.

What we are doing here is different.

We are building a modern pagan symbol honestly, using old materials without lying about them.

Ogham gives us the stemline. A central line. Marks crossing it. Names cut into edges. Boundary stones. Memory made physical. A way of saying: this person stood here, this name mattered, this place had meaning.

Elder Futhark gives us the roadline. Sound carved into wood, bone, stone, and metal. A row of forces. Wealth, need, ice, sun, journey, gift, day, inheritance. Not just letters, but a way of seeing pressure and movement.

The compass shape gives us the stormline. Not north on a map, necessarily, but the harder question: how do I keep from becoming lost when the weather turns?

Put those three together and we do not get an ancient artifact.

We get a modern wayfinder.

The three layers

Root Ogham memory / land / edge Road Runes force / speech / motion Storm Wayfinder weather / trial / return
The working idea: Ogham roots the symbol, Elder Futhark moves it, and the compass form tests it against weather.

That is the core of it for me.

Ogham is not just pretty scratch marks. It feels like root. It feels like the edge of a stone, the edge of a path, the edge between one holding and another. It is a language of boundary and memory.

Elder Futhark feels different. It moves. It bites. It carries conflict, need, gift, fire, ice, harvest, sun, and inheritance. The runes feel less like a fencepost and more like a road marker.

And then the compass shape asks the question that every spiritual system eventually has to answer:

Can this still guide me when things go bad?

The eight directions

North becomes stillness. Ice. Spine. Endurance. The place where the world is not moving, and neither are you, but you are still alive.

East becomes kindling. The first light. Birch. Fire beginning again. Not a roaring bonfire. Just the first honest spark.

South becomes standing. Oak. Sun. The place where private belief becomes public action.

West becomes water. Willow. Memory. Grief. The place where the day lowers and the old voices start speaking again.

The cross-directions matter too.

Northeast is counsel. Breath. Speech. The wisdom that arrives before action.

Southeast is the road. Movement. Duty. The decision to walk instead of only think.

Southwest is need. Friction. Survival. The hard place where spirituality stops being decorative and has to become useful.

Northwest is boundary. Yew. Ancestor. Death and transformation. The place where you admit that returning does not always mean becoming who you were before.

Not a map home

This is the part I keep coming back to.

A compass is often treated as a tool for getting home. But spiritually, that is too simple.

Sometimes home is gone.

Sometimes home changed while you were away.

Sometimes home was never as safe as memory made it.

And sometimes the point is not to get back at all.

Sometimes the point is to leave without becoming rootless.

That is where this Root-and-Road Compass starts to matter.

Ogham says: remember where the roots were.

The runes say: now move.

The storm-stave says: and do not lose yourself in the weather.

The Unplugged Pagan reading

For Unplugged Pagan, this symbol works because it refuses two easy lies.

The first lie is that everything old is automatically pure.

It is not.

The second lie is that anything modern is automatically empty.

It is not.

A symbol can be modern and still be meaningful. A ritual can be reconstructed and still be honest. A path can be personal without being fake.

The problem is not modern creation. The problem is dishonest creation.

So I would not call this an ancient Celtic-Norse compass.

I would call it what it is:

A modern pagan wayfinder built from root, road, and storm.

It does not tell me where north is.

It asks me what I am using as north.

Blood?

Land?

Memory?

Grief?

Duty?

Fire?

Need?

The answer may change depending on the weather.

And maybe that is the point.

The working declaration

If I were to put the whole symbol into words, it would be this:

I am guided by root and road.
I remember where I come from, but I am not chained to it.
I walk through storm, need, grief, fire, winter, and return.
I do not navigate by blood alone, or place alone, or institution alone.
I navigate by memory, action, boundary, and becoming.

That feels right to me.

Not because it is ancient.

Because it is honest.

And honestly, that may be the better foundation anyway.

Leaving Home in the Spirit of Hávamál 127

Man walking on cobblestone path outside stone cottage with lit entrance at dusk

There are places we call home because they shelter us.

There are places we call home because they shaped us.

There are places we call home because part of who we became was born there, around a fire, under certain trees, beside certain people, during a season of life when the word belonging still felt simple.

But not every home remains home.

That is a hard sentence to write.

It is harder still when the place was once sacred.

Unplugged Pagan did not come to that sentence quickly. It did not come to it cleanly. It did not come to it without memory, grief, anger, gratitude, and the strange ache that comes when something that once held you no longer does.

But there comes a point where staying attached to a dead bond is no longer loyalty.

It is silence.

And Hávamál 127 has something to say about silence.

The Verse at the Door

Declaration 127 takes its name from stanza 127 of the Hávamál, commonly rendered in modern Heathen circles as:

“When you see misdeeds, speak out against them, and give your enemies no frið.”

Frith, or frið, is often understood as peace, safety, right relationship, and the bond that allows a community to exist without tearing itself apart.

That is why the line matters.

It does not say, “When you see misdeeds, keep quiet for the sake of peace.”

It does not say, “When you see misdeeds, preserve the appearance of harmony.”

It does not say, “When you see misdeeds, maintain the old relationship at all costs because it used to mean something.”

It says to speak.

It says to name the wrong.

It says not to give frith where frith has already been broken.

That is the piece I keep circling back to.

Because the deeper lesson of Hávamál 127 is not only about enemies outside the gate. It is also about what happens when the problem is already near the hearth.

Declaration 127 and False Peace

Declaration 127 was originally written as a response to folkism and racial exclusion in modern Heathenry, especially in opposition to the Ásatrú Folk Assembly and its claims about who Heathenry was for.

That history matters. Folkism tries to turn ancestry into ownership. It tries to turn roots into border fences. It tries to turn the gods, ancestors, runes, and stories into racial property.

Declaration 127 said no.

But if Declaration 127 is only treated as an anti-folkish sticker, then we miss part of its power.

At its core, Declaration 127 also rejects the idea that silence should be maintained in the name of frith when harm is being justified through sacred language, tradition, ancestry, or community reputation.

That is where it becomes useful beyond the narrow question of folkism.

Not because every broken community is folkish.

Not because every failed home is racist.

Not because every wound is the same wound.

But because the spiritual principle is larger than the original occasion:

False peace is not frith.

That is the line.

Peace that requires silence is not frith.

Belonging that requires self-erasure is not frith.

Hospitality that protects the powerful while ignoring the wounded is not frith.

Community that remembers your labour but forgets your humanity is not frith.

Home that only remains home if you stop telling the truth is not home.

When Home Was Real

To be clear, this is not a post about pretending the old home never mattered.

It did.

That is part of what makes leaving it difficult.

There are old Unplugged Pagan writings that carry that truth plainly. The Vé remembers sacred work at Raven’s Knoll, the creation of sacred space, the carrying of poles, the marking of place, the building of something that mattered. That memory was not fake. The bond was not imagined. The sense of sacred place was real.

That matters.

If a place never mattered, leaving it would mean very little.

If a community never held meaning, there would be no grief in releasing it.

If the fire never warmed us, there would be no ache when it became ash.

So no, this is not bitterness dressed up as theology.

This is not a denial of the past.

This is not an attempt to rewrite memory so that leaving becomes easier.

The old home mattered.

That is exactly why leaving it had to be done honestly.

Roots, Hoards, and What We Refuse to Cut

Unplugged Pagan has been wrestling with roots for a long time.

Roots are not always pretty. They are hidden. Tangled. Muddy. Difficult to display. But they are what feed the tree.

In earlier reflections, I wrote about the danger of cutting off roots while expecting the branches to remain healthy. A tree can look strong from the outside while damage is already happening beneath the surface.

That image still holds.

A community can have events, names, land, symbols, buildings, programs, schedules, banners, and public language. It can still look alive from the outside.

But appearance is not health.

The roots are older than the poster.

The roots are the first fires, the old labour, the forgotten volunteers, the awkward conversations, the hands that carried wood, the people who showed up before there was applause, the ones who helped build something and later found themselves standing outside of it.

When those roots are ignored, starved, severed, or treated as disposable, something important has already gone wrong.

And when gold and silver begin to matter more than kith and kin, the hearth has shifted.

That does not mean money does not matter. Money keeps roofs standing. It pays bills. It buys tools, fuel, food, insurance, repairs, and all the practical things that keep a place functioning.

But gold and silver are not kin.

They do not sit beside you when your spirit is tired.

They do not remember the first fire.

They do not carry the old stories.

They do not make a hall sacred.

They only make it affordable.

There is a difference.

The Moment the Header Came Down

When the old Unplugged Pagan header came down, that was not just a design choice.

It was a small funeral.

The old image was taken at Raven’s Knoll. For a long time, that mattered in a good way. It carried memory. It carried place. It carried old hopes, old gatherings, old people, and an older version of Unplugged Pagan that still believed itself rooted there.

But places change.

Or more honestly, our connection to them changes.

A grove can shelter us for a season and later become somewhere we no longer belong.

A fire can warm us once and later become ash.

A home can form us and still not hold us forever.

That does not make the warmth false.

It means time moved, people changed, and the bond reached its ending.

The header had to come down because Unplugged Pagan needed its own ground.

Not borrowed ground.

Not someone else’s grove.

Not a shrine to an old connection.

Its own ground.

That was not an act of hatred.

It was an act of boundary.

And sometimes boundary is the only honest ritual left.

Leaving Is Not Always Betrayal

People often treat leaving as betrayal.

Sometimes it is.

Sometimes people abandon what they should have tended. Sometimes people walk away because repair is harder than resentment. Sometimes leaving is cowardice with cleaner shoes.

But not always.

Sometimes leaving is what happens after every inner warning has already spoken.

Sometimes leaving is what happens when the bond has died but everyone keeps asking you to behave as though it lives.

Sometimes leaving is what happens when “home” becomes a word used to keep you quiet.

Sometimes leaving is the first truthful thing a person has done in years.

That is where Hávamál 127 matters.

It gives no blessing to false peace.

It does not tell us to remain politely attached to what has already broken frith.

It does not ask us to keep handing warmth to a place that no longer shelters us.

It says misdeeds should be named.

It says enemies should not be given frith.

And sometimes the enemy is not a person.

Sometimes the enemy is the lie that a dead bond is still alive.

Not Folkism, But the Same Warning

This needs to be said carefully.

This post is not claiming that the old home was folkish.

That is not the argument.

The argument is that Declaration 127 carries a principle that reaches beyond the original fight against folkism:

Sacred language must not be used to demand silence in the face of harm.

Folkism is one form of that harm. It uses ancestry, gods, and tradition to exclude people and claim ownership over the sacred.

But there are other ways sacred language can be misused.

“Community” can be used to silence people.

“Frith” can be used to avoid accountability.

“Home” can be used to shame people for leaving.

“Kith and kin” can be used as decoration while actual bonds are neglected.

“Hospitality” can be used to protect the host while ignoring the guest.

“The good of the place” can be used to excuse the cost to the people who helped make the place good.

That is why 127 still applies.

Not as an accusation of folkism.

As a warning against false frith.

The Hearth Test

The real test of a hearth is not how it looks when the festival is full.

The real test is what happens when someone is wounded.

Who notices?

Who checks in?

Who listens?

Who protects the relationship?

Who chooses repair over reputation?

Who remembers that people are not disposable once their labour is no longer needed?

Who carries wood when no one is watching?

Who remains when the ash has to be dealt with?

That is the hearth test.

Not the banner.

Not the website language.

Not the number of people gathered around the fire.

The hearth is revealed by the treatment of the living.

If the living must become silent to preserve the image of home, then home has already failed the hearth test.

Why Unplugged Pagan Left

So why did Unplugged Pagan choose to leave home?

Because memory is not obligation.

Because gratitude is not captivity.

Because a sacred place can matter deeply and still no longer be ours.

Because roots matter, but roots are not chains.

Because frith is not maintained by pretending the wound is not there.

Because Hávamál 127 does not permit silence in the face of misdeeds.

Because Declaration 127 reminds us that keeping peace with what harms others is not peace.

Because the path does not end when one grove is left behind.

Because the land is larger than one campfire.

Because the gods are not trapped on someone else’s property.

Because the fire can be carried.

Because Unplugged Pagan needed its own ground.

The Road Behind and the Road Ahead

There is grief in this.

There should be.

Leaving home without grief usually means it was never home to begin with.

But grief is not a command to return.

Grief is the price of having once loved something honestly.

The old home shaped this path. That can be honoured.

The old fire warmed this path. That can be remembered.

The old grove held meaning. That can be spoken without shame.

But none of that requires Unplugged Pagan to keep standing under a roof that no longer shelters it.

There is a line from the Hávamál, in spirit, that cattle die, kinsmen die, and we ourselves die. What remains is reputation, deeds, and the truth of how we carried ourselves.

Places can die to us too.

Connections can die.

Communities can die.

The stories we told ourselves about belonging can die.

And when they do, the Pagan path should not require us to pretend otherwise.

Ancestor work is not dragging a corpse around.

Memory is not a leash.

Gratitude is not a prison.

Sometimes the most honest Pagan act is to stand at the edge of the old place and say:

I remember.

I honour.

I release what is no longer mine to carry.

Closing Thought

Hávamál 127 does not only belong at protests.

Declaration 127 does not only belong on organization lists.

The lesson belongs at the actual hearth.

It belongs in the difficult moment when a person has to decide whether peace is still peace, or whether peace has become silence.

For Unplugged Pagan, the answer has become clear.

Home was real.

The memory mattered.

The work mattered.

The fire mattered.

But the bond reached its ending.

And when the bond is dead, pretending it still lives is not frith.

It is false peace.

So Unplugged Pagan leaves home in the spirit of Hávamál 127.

Not with hatred.

Not with denial.

Not by pretending the old place was never sacred.

But by refusing to let sacred memory become a chain.

The road remains.

The fire can be carried.

The roots can be honoured without living under the old tree.

And sometimes the only way to keep faith with the hearth is to walk away from the hall.


Sources and Further Reading

Declaration 127, Hávamál 127, and the Actual Hearth

Inclusive Heathen ritual emphasizing frith and integrity

There is a danger in letting institutions do all of our thinking for us.

That is not a knock against institutions. Sometimes they are needed. Sometimes they hold the line when loose communities cannot. Sometimes they preserve documents, organize clergy, publish resources, and provide a public answer when the wider world asks, “Where do you stand?”

In modern Heathenry, The Troth is one of those institutions.

It gives an organizational example of inclusive Heathenry. It stands against folkism, racialism, and the use of Germanic religion as a costume for white supremacy. It now also carries formal stewardship of Declaration 127, one of the most important anti-folkish statements in modern Heathen history.

That matters.

But Unplugged Pagan is not The Troth.

Unplugged Pagan is not a clergy program, a committee, a declaration archive, or an institutional hall with bylaws and officers. It is something rougher than that. It is more like a fire at the edge of the woods, where the questions are less polished but sometimes more honest.

So the question for this place is not simply, “What does The Troth say?”

The better question is this:

What does Declaration 127 mean at the actual hearth?

The Line Between Institution and Hearth

The bigger conclusion, at least for Unplugged Pagan, is this:

The Troth gives an organizational example.

Declaration 127 gives the public boundary.

Hávamál 127 gives the old poetic command.

Unplugged Pagan asks what that means at the actual hearth.

That is the angle that matters here.

Not “The Troth says this, therefore we obey.”

That would be too institutional and too neat.

Unplugged Pagan has always been more interested in the place where the clean statement meets the dirty ground. The fire pit. The broken friendship. The old gift-bond. The kinship that failed. The boundary that had to be drawn. The guest who became a threat to the hall. The moment when keeping peace becomes complicity.

That is where Hávamál 127 stops being a quotation and becomes a test.

What Declaration 127 Is

Declaration 127 first appeared in 2016 through Huginn’s Heathen Hof. It was written as a response to the Ásatrú Folk Assembly and the wider problem of folkish rhetoric in Heathenry.

The AFA has been widely criticized because of its folkish and racialized approach to Ásatrú. The Southern Poverty Law Center describes it as a neo-Völkisch hate group, and the Anti-Defamation League describes it as a modern Norse Pagan group with a white supremacist slant.

That is the problem Declaration 127 tried to answer.

Not ancestry itself.

Not remembering the dead.

Not honouring one’s roots.

The problem is when ancestry gets turned into ownership. When roots become border fences. When honouring the ancestors becomes an excuse to lock sincere seekers out of the hall because of race, ethnicity, sexuality, gender, ability, family structure, or bloodline.

That is folkism’s poison.

It takes something sacred and turns it into a gate.

Hávamál 127

Declaration 127 takes its name from stanza 127 of the Hávamál, commonly rendered in this form:

“When you see misdeeds, speak out against them, and give your enemies no frith.”

That line has teeth.

It does not say, “When you see misdeeds, quietly hope the situation improves.”

It does not say, “When you see misdeeds, avoid conflict so everyone stays comfortable.”

It does not say, “When you see misdeeds, keep inviting the poisoner back to the well because hospitality is sacred.”

It says to speak.

It says to name the wrong.

It says not to give frith to enemies.

That is a hard teaching, especially in Pagan spaces where many people are allergic to direct conflict. We often prefer circles, soft language, consensus, healing words, and the illusion that everyone can be included if we just stretch the tent wide enough.

But no tent can remain standing if you invite people in who are cutting the ropes.

Frith Is Not Blind Peace

Frith is often spoken of as peace, safety, right relationship, and the bonds that hold a community together.

That makes it sacred.

But sacred does not mean unlimited.

Frith is not blind peace.

Frith is not conflict avoidance.

Frith is not letting someone remain at the hearth while they deny the humanity, dignity, or belonging of others who sit there.

That is where “no frith with folkism” becomes more than a slogan.

If folkism says only certain blood belongs, then folkism has already broken frith.

If folkism says the gods are racial property, then folkism has already broken frith.

If folkism uses sacred symbols to shelter white supremacy, then folkism has already broken frith.

Refusing it a seat is not the first act of hostility.

It is the recognition that hostility was already brought through the door.

The Actual Hearth

The actual hearth is where this becomes personal.

It is easy to sign a declaration online.

It is harder to live one when the person crossing the line is someone you know.

It is harder when they once shared your fire.

It is harder when they gave you gifts.

It is harder when there is history, memory, laughter, old ritual, old loyalty, or old kinship tangled around the problem.

But that is exactly where Hávamál 127 matters most.

The real test is not whether we can denounce a stranger with a bad logo.

The real test is whether we can name misdeeds when they happen close enough to cost us something.

Unplugged Pagan has circled this fire before. Gift-bonds. Betrayal. Frith. Kinship. Hospitality. Land. Roots. The painful knowledge that some bonds die, and when they die, pretending they still live becomes its own kind of lie.

That is why this subject fits here.

Because Declaration 127 is not only about public statements and organization lists. It is about the moment when a person has to decide whether peace is still peace, or whether peace has become silence.

Remembering Roots Is Not Worshipping Blood

There is also a difference between remembering roots and worshipping blood.

That distinction matters deeply to me.

I can honour where I come from.

I can honour my ancestors.

I can honour the old stories, the land, the dead, the language fragments, the hearth practices, the gods, the spirits, the old roads, and the strange pull that brings a person back toward Pagan soil.

But ancestry is not a weapon.

Ancestry is not a deed to the gods.

Ancestry is not a lock on the hall door.

Ancestry may explain part of the road that brought me here.

It does not give me permission to lock the road behind me.

That is the sentence I keep coming back to.

Because folkism takes the memory of roots and turns it into blood worship. It takes the dead and makes them border guards. It takes heritage and turns it into spiritual property law.

I cannot accept that.

Not as Paganism.

Not as Heathenry.

Not as honour.

The Troth, Declaration 127, and Unplugged Pagan

The Troth matters here because it gives one institutional example of a different road.

It says Heathenry does not have to be folkish.

Declaration 127 matters because it gives a public boundary.

It says discriminatory organizations and exclusionary ideologies do not represent the wider Heathen community.

Hávamál 127 matters because it gives the old poetic command.

It says that when we see misdeeds, we speak against them, and we do not give enemies frith.

But Unplugged Pagan’s work is smaller and closer to the ground.

It asks what that means in the actual living of it.

What does it mean when the person at the hearth is the one poisoning the well?

What does it mean when hospitality becomes a shield for harm?

What does it mean when kinship is used to demand silence?

What does it mean when “keeping the peace” only protects the person breaking it?

Those are not institutional questions.

Those are firekeeper questions.

The Firekeeper’s Answer

A firekeeper does not only feed the flame.

A firekeeper also watches what comes near it.

Too little fuel and the fire dies.

Too much fuel and the fire becomes dangerous.

The wrong thing thrown into it can poison the air.

That is how I understand this issue.

Hospitality is sacred, yes.

But so is protection.

Kinship is sacred, yes.

But so is truth.

Ancestry is sacred, yes.

But so are deeds.

Frith is sacred, yes.

But frith cannot be built with those who deny frith to others.

That is the line at the hearth.

Not hatred.

Not purity.

Not moral performance.

A boundary.

A necessary one.

Closing Thought

The Troth can hold the archive.

Declaration 127 can mark the public boundary.

Hávamál 127 can give the old command.

But each hearth still has to decide what it will allow beside the fire.

For Unplugged Pagan, the answer is simple enough:

Remember your roots.

Honour your dead.

Keep the fire.

Welcome the sincere traveller.

But do not confuse hospitality with surrender.

Do not confuse ancestry with ownership.

Do not confuse silence with peace.

And do not give frith to those who would use the sacred to deny it to others.

The fire is lit.

The road is open.

But folkism does not get a seat by the hearth.


Sources and Further Reading