Following the Threads: Rainbow Family, Bhakti Bliss, KN¿WHERE and Raven’s Knoll

Network map of global festival communities and their interconnected events by theme and location

Over the last several posts, I have been following what initially looked like a fairly simple question:

Is there a connection between Bhakti Bliss and the Rainbow Family?

There is.

But after following the people rather than simply the names of the organizations, the story became considerably larger.

What emerged was not evidence of one secret organization running everything.

Instead, what emerged was an interconnected Ottawa-Gatineau alternative-spirituality, wellness, music and festival network whose participants appear repeatedly at Bhakti events, Rainbow Family gatherings, ecstatic dances, yoga festivals, wellness events, GAIAFEST, Raven’s Knoll and, at least in some cases, KN¿WHERE.

That distinction matters.

This isn’t a conspiracy chart.

It is a social-network chart.

And those are two very different things.

Let’s Go Back to the Beginning

The first piece of the puzzle is the Rainbow Family of Living Light.

The Rainbow Family is an intentionally decentralized countercultural community associated with Rainbow Gatherings. There is no conventional membership system, president or central organization.

Ontario has its own Rainbow Family community.

While looking through publicly indexed Ontario Rainbow Family material, one name appeared repeatedly:

Eric Mandala.

Eric does not merely use the word “Rainbow” in the name of his musical project.

Public Ontario Rainbow Family discussions place him directly within that community. One discussion about possible Ontario gathering sites specifically names Eric Mandala, while another gathering discussion posted by Eric refers participants to either JF or Zu Zen regarding communal supplies and says Zu would inventory those supplies.

So Eric’s connection with Ontario Rainbow culture is not simply an inference based upon the name of his band.

Then Eric appeared somewhere else.

Bhakti Bliss.

Eric Mandala and Bhakti Bliss

Eric has appeared repeatedly in the Bhakti Bliss community.

He performed at Bhakti Bliss in previous years and returned to Raven’s Knoll for the August 7–9, 2026 festival. Bhakti Bliss publicly promoted his 2026 appearance directly.

At first, that left us with a fairly simple connection:

Ontario Rainbow Family

Eric Mandala

Bhakti Bliss

That could easily have been nothing more than a musician belonging to several communities.

Then we started looking at the other people.

Zu Zen Changes the Picture

Zu Zen appears both in Eric Mandala’s musical community and in Ontario Rainbow Family gathering activity.

The Ontario Rainbow Family material dealing with communal equipment specifically names Eric Mandala and Zu Zen and gives Zu a practical role involving the inventory of gathering supplies.

That meant Eric was no longer necessarily the only bridge.

And once we started following the wider group of musicians and facilitators around Eric, another festival repeatedly appeared.

GAIAFEST.

GAIAFEST May Be the Missing Middle Layer

This may be one of the most useful discoveries in the entire investigation.

GAIAFEST brought together numerous people who subsequently appear elsewhere in this network.

Public GAIAFEST material identifies Eric Mandala as a repeat participant and shows Rebecca White Raven and JS McPherson within the festival’s programming.

Other archived GAIAFEST material places Nick Gallarza and Andrew Sass within the GAIAFEST environment as well.

That is significant because these connections existed independently of KN¿WHERE being held at Raven’s Knoll.

In other words, Raven’s Knoll did not create this social network.

The network already existed.

That changes the question considerably.

Now Go Back Further: Bhakti in the Woods

Bhakti Bliss itself also has a history.

Before Bhakti Bliss there was Bhakti in the Woods.

Public biographical material concerning Rebecca White Raven states that she helped organize Bhakti in the Woods and that, after that festival ended its approximately ten-year run, Rebecca initiated Bhakti Bliss.

That gives us direct continuity:

Bhakti in the Woods

Rebecca White Raven

Bhakti Bliss

Rebecca continues to be deeply involved.

The current Bhakti Bliss committee material identifies:

Rebecca — Lead
Bob — Finance Coordinator
Courtney — Program Coordinator
Andrew — Ticket Coordinator

And that mysterious “Andrew” sent us down another rabbit hole.

Andrew Appears to Be Andrew Sass

The committee graphic itself unfortunately identifies its Ticket Coordinator only as “Andrew.”

However, there are strong reasons to conclude that this is Andrew Sass.

Andrew Sass is not a casual visitor to Bhakti Bliss.

He has appeared repeatedly as a yoga instructor, musician and workshop facilitator. Bhakti Bliss describes him as a significant support within its community.

At Bhakti Bliss 2023 he led a Song Writing Circle.

He also participated in the December 2025 twelve-hour Bhakti Bliss chant-a-thon fundraiser specifically raising money for the 2026 festival.

Current Bhakti Bliss material again promotes Andrew Sass as returning to the festival’s kirtan programming.

Taken together with the committee indexing, I consider the identification of the committee’s “Andrew” as Andrew Sass to be high confidence.

But because the actual committee graphic does not print his surname, I would still describe it that way rather than pretending the image says something it doesn’t.

That’s an important research habit:

Strong evidence isn’t the same thing as absolute evidence.

Then We Found Nick Gallarza

This is where the Bhakti and KN¿WHERE worlds begin making a documented personnel connection.

Nick Gallarza publicly announced his participation in KN¿WHERE and appears in indexed promotional material associated with the Raven’s Knoll festival.

KN¿WHERE itself describes the June 5–7, 2026 Raven’s Knoll festival as an overnight event combining music, art and wellness. During the day, participants could attend wellness workshops and art and production classes before the bass-music stages operated at night.

Then Nick turns up again.

This time at Bhakti Bliss 2026.

Bhakti Bliss promoted Nick Gallarza as the facilitator of a workshop called Enlightenment Through Communication.

So this particular connection is no longer theoretical:

KN¿WHERE

Nick Gallarza

Bhakti Bliss

That is a genuine shared-personnel connection between the two festival environments.

It does not establish that the festivals have the same organizers.

But it does establish that the communities are not completely isolated from one another.

And Nick Already Knew This Community

This is where GAIAFEST becomes important again.

Nick Gallarza and Andrew Sass appear within the same broader GAIAFEST network that also contains Eric Mandala, Rebecca White Raven and JS McPherson.

Therefore, the connection is not simply:

Nick attended KN¿WHERE and later happened to attend Bhakti Bliss.

Instead, Nick appears within an already-existing alternative festival and wellness network containing several people connected with Bhakti Bliss.

This pushes the timeline backward.

The cross-pollination predates KN¿WHERE’s arrival at Raven’s Knoll.

The Network Now Looks Something Like This

Ontario Rainbow Family

Eric Mandala / Zu Zen

Rainbow Tribe / ecstatic dance / alternative music community

GAIAFEST and Ottawa-Gatineau wellness-festival community
↙︎            ↘︎
Rebecca White Raven Andrew Sass / Nick Gallarza / JS McPherson / others
↓             ↓
Bhakti in the Woods  shared festival community
↓             ↓
Bhakti Bliss ←──────────→ KN¿WHERE personnel overlap
↓             ↓
Raven’s Knoll ←────────→ Raven’s Knoll

That diagram isn’t meant to say that everybody belongs to the Rainbow Family.

They don’t necessarily.

Nor does it say that everybody organizes every event.

They clearly don’t.

It demonstrates that these communities have multiple social bridges.

Rainbow Tribe Does Not Equal Rainbow Family

This point needs repeating because it would be very easy to get sloppy here.

Eric Mandala & The Rainbow Tribe is a musical project.

The Rainbow Family of Living Light is the decentralized countercultural community associated with Rainbow Gatherings.

Eric’s participation in both creates a connection.

Zu Zen’s documented participation in Ontario Rainbow gathering logistics creates another connection.

But someone appearing on a Rainbow Tribe recording does not automatically make that individual a member of the Rainbow Family.

Nor does performing with Eric establish Rainbow Family membership.

Association tells us where to look.

It doesn’t automatically tell us what we will find.

Bhakti Bliss Is Also Its Own Organization

This needs to remain clear as well.

Bhakti Bliss publicly describes itself as a not-for-profit organization whose mission is to promote unity and holistic well-being through Bhakti Yoga. Its festival includes yoga, workshops, music, kirtan and community activities.

I have found no credible evidence that the Rainbow Family owns Bhakti Bliss.

I have found no credible evidence that the Rainbow Family controls Bhakti Bliss.

And I have found no credible evidence that Bhakti Bliss should simply be called a Rainbow Gathering under another name.

What we have found is significant social-network overlap.

That’s a very different conclusion.

KN¿WHERE Is Also Its Own Organization

The same principle applies to KN¿WHERE.

KN¿WHERE describes itself as the evolution of DNR’s Toronto KN¿WHERE events and as an arts, music and wellness festival centred primarily around bass music. Its 2026 camping edition took place at Raven’s Knoll from June 5–7.

I have found no evidence establishing that KN¿WHERE is a Rainbow Family event.

I have found no evidence that Eric Mandala or the Ontario Rainbow Family operates DNR.

And I have found no evidence that Bhakti Bliss operates KN¿WHERE.

What we now know is that at least some of the people appearing in these festival ecosystems overlap.

Nick Gallarza is the clearest documented example so far.

And Raven’s Knoll Becomes the Convergence Point

This is where Raven’s Knoll becomes fascinating.

KN¿WHERE describes Raven’s Knoll as its 2026 venue.

Bhakti Bliss also takes place there.

But Raven’s Knoll historically developed within Ontario Pagan festival culture.

So on the same property we now have communities associated with:

Paganism.

Heathenry.

Bhakti Yoga.

Kirtan.

Ecstatic dance.

Sound healing.

Wellness culture.

Electronic dance music.

Camping festival culture.

And through some of the people involved, connections into the broader Rainbow community.

This does not mean Raven’s Knoll created these relationships.

In fact, one of our most important findings is precisely the opposite.

Many of these relationships existed before KN¿WHERE arrived at Raven’s Knoll.

GAIAFEST and the Ottawa-Gatineau alternative-spirituality community demonstrate that.

So What Is Actually Happening?

I think the simplest explanation is also the most interesting.

We are looking at an ecosystem.

Ontario’s Pagan community is relatively small.

The Rainbow community is relatively small.

Ottawa’s kirtan community is relatively small.

The ecstatic-dance community is relatively small.

The transformational and wellness-festival community is relatively small.

The underground rave community is relatively small.

Those communities are not hermetically sealed.

People move.

A musician can play kirtan one weekend and ecstatic dance another.

A yoga instructor can appear at GAIAFEST and Bhakti Bliss.

A photographer, artist or facilitator can participate in a wellness festival and later appear at a rave.

A Rainbow participant can perform at a Pagan festival.

A Pagan campground can host a Bhakti festival and then a bass-music festival.

Over enough time, the networks inevitably begin crossing.

The Language Crosses Too

There is another interesting similarity.

Listen to the recurring vocabulary:

Community.

Connection.

Unity.

Transformation.

Movement.

Wellness.

Nature.

Family.

Healing.

Love.

KN¿WHERE itself describes the Raven’s Knoll event as an immersive experience combining music, art and wellness and speaks about connecting with yourself and the community.

Bhakti Bliss says its mission is to kindle unity and holistic well-being and create a vibrant community through Bhakti Yoga.

Different traditions.

Different music.

Different organizations.

But overlapping cultural vocabulary.

That Doesn’t Mean They Are All the Same Thing

This may be the most important conclusion from the entire exercise.

Shared vocabulary does not prove shared control.

Shared performers do not prove shared ownership.

A shared venue does not prove organizational affiliation.

A person attending a Rainbow Gathering does not make every event they subsequently attend a Rainbow event.

And somebody knowing Eric Mandala does not make that person a member of the Rainbow Family.

We have to resist turning a network into an organization simply because drawing lines between people makes a complicated picture.

What About the Government “Watch List” Question?

We looked at that as well.

The Rainbow Family has certainly attracted government and law-enforcement attention, particularly because large unauthorized Rainbow Gatherings create significant land-management, safety and permit issues.

That is not the same thing as proving that the Rainbow Family is formally designated as a terrorist organization.

We were unable to substantiate the claim that the Rainbow Family itself is formally listed as a terrorist organization in Canada or the United States.

That distinction follows exactly the same research principle:

Monitoring is not designation.

Association is not membership.

Overlap is not control.

What We Can Now Say With Confidence

After following these threads, I think the evidence supports the following conclusions:

1. Bhakti Bliss grew directly out of Bhakti in the Woods.

Rebecca White Raven helped organize Bhakti in the Woods and subsequently initiated Bhakti Bliss when the earlier festival ended.

2. Eric Mandala has genuine connections to both Ontario Rainbow culture and Bhakti Bliss.

His Rainbow connection is independently visible in Ontario Rainbow Family material, and his Bhakti Bliss participation is documented by the festival itself.

3. Eric is not the only bridge.

Zu Zen appears within Ontario Rainbow gathering logistics as well as Eric’s broader community.

4. GAIAFEST demonstrates that much of this alternative-festival network existed independently of Raven’s Knoll.

Eric Mandala, Rebecca White Raven, JS McPherson and others appear within that environment, with Nick Gallarza and Andrew Sass appearing in the wider GAIAFEST network as well.

5. Nick Gallarza creates a documented personnel bridge between KN¿WHERE and Bhakti Bliss.

He appears in KN¿WHERE promotional material and is a 2026 Bhakti Bliss workshop facilitator.

6. Andrew Sass appears to be part of the Bhakti Bliss organizational core, not merely a booked musician.

The committee identifies an “Andrew” as Ticket Coordinator, while Andrew Sass has years of documented Bhakti Bliss participation and fundraising involvement. The identification is strong, although the committee graphic itself does not provide the surname.

7. KN¿WHERE and Bhakti Bliss remain separate organizations.

KN¿WHERE publicly presents itself as an arts, music and wellness festival evolving from DNR’s KN¿WHERE events, while Bhakti Bliss describes itself as its own not-for-profit Bhakti Yoga organization.

8. Raven’s Knoll is the present physical convergence point, but it did not create the underlying network.

The people and relationships can be traced through earlier festivals and community events.

What We Cannot Say

And just as importantly:

We cannot presently say that Bhakti Bliss is operated by the Rainbow Family.

We cannot say that KN¿WHERE is operated by the Rainbow Family.

We cannot say that DNR Productions is a Rainbow organization.

We cannot say that every Rainbow Tribe musician belongs to the Rainbow Family.

We cannot say that everyone appearing at GAIAFEST belongs to the same spiritual movement.

And we cannot say that merely appearing at Raven’s Knoll makes any person part of Raven’s Knoll’s Pagan community.

Those claims would go beyond the evidence.

The Bigger Story

When I started looking at this, I thought I was investigating whether one festival had connections to the Rainbow Family.

I don’t think that is the most interesting question anymore.

The bigger story is how modern alternative communities actually function.

Not as isolated boxes.

As overlapping networks.

Bhakti.

Paganism.

Rainbow culture.

Yoga.

Kirtan.

Ecstatic dance.

Wellness culture.

Transformational festivals.

Electronic music.

Rave culture.

They do not become the same thing simply because people move between them.

But the people moving between them carry ideas, practices, friendships and cultural expectations along with them.

That is how communities influence one another.

Not necessarily because somebody at the top planned it.

Sometimes there isn’t anybody at the top.

Sometimes it is simply what happens when the same hundred or thousand people keep meeting each other at festivals, workshops, dances, gatherings and campfires for twenty years.

And that brings us back to Raven’s Knoll.

Perhaps the question we should continue asking isn’t:

“Who secretly controls all of this?”

There is currently no evidence suggesting that anybody does.

A much more useful question is:

“What happens when all of these communities begin sharing the same people, ideas and spaces?”

That question we actually have evidence to explore.

And I suspect we are nowhere near finished following those threads.

References

Bhakti Bliss Yoga & Music Festival. (2026). Bhakti Bliss Yoga & Music Festival: Official festival and program materials.

Bhakti Bliss Yoga & Music Festival. (2026). Meet the Bhakti Bliss Committee [Social media post].

Bhakti Bliss Yoga & Music Festival. (2026). Enlightenment Through Communication with Nick Gallarza [Social media post].

Bhakti Bliss Yoga & Music Festival. (2025). Bhakti Bliss chant-a-thon fundraiser. Ticket Tailor.

Bhakti Bliss Yoga & Music Festival. (2023). Bhakti Bliss 2023. Ticket Tailor.

GAIAFEST. (2024–2026). Artist, facilitator and festival promotional materials.

KN¿WHERE Music Festival. (2026). About KN¿WHERE Music Festival.

KN¿WHERE Music Festival. (2026). KN¿WHERE Music Festival.

Ontario Rainbow Family. (2019–2026). Public gathering discussions and community posts.

Bhakti in the Woods, Bhakti Bliss and the Rainbow Family: Following the Connections

Outdoor spiritual festival with yoga and music stage

Sometimes researching alternative spiritual communities feels less like drawing a family tree and more like untangling a spiderweb.

You start with one festival.

A familiar name appears.

That name leads to another event.

Another musician appears.

Then you discover that several of the same people have been creating music, ceremonies, retreats and gatherings together for years.

That is essentially what happened while I was looking into Bhakti Bliss Yoga & Music Festival.

One of the names that caught my attention was Eric Mandala.

Eric has connections to the Ontario Rainbow Family and also leads a musical project called Eric Mandala & The Rainbow Tribe. He has also repeatedly appeared at Bhakti Bliss.

That produced an obvious question:

Is Bhakti Bliss connected to the Rainbow Family?

The answer turns out to be more interesting than either a simple yes or a simple no.

There are connections.

There are several of them.

But we need to be very precise about what those connections actually establish.

Before Bhakti Bliss, There Was Bhakti in the Woods

Bhakti Bliss did not simply appear from nowhere.

Its predecessor was Bhakti in the Woods Yoga & Music Festival, an Ottawa-area festival that ran for approximately ten years. Rebecca White Raven, who was involved in organizing Bhakti in the Woods, later initiated Bhakti Bliss after the older festival ended. A current biography for Rebecca describes Bhakti Bliss as the not-for-profit organization that followed the end of Bhakti in the Woods’ ten-year run.

This establishes something important immediately:

There is direct community continuity between Bhakti in the Woods and Bhakti Bliss.

They should not be treated as two completely unrelated festivals that happened to have similar names.

We can also get a reasonably good picture of what Bhakti in the Woods was trying to create.

A description of the 2019 festival called it a gathering dedicated to wholeness, sacred sound, healing, community, sustainability and what it termed the “New Earth.” Programming included chants, healing songs and other spiritual and wellness activities intended to create a sense of community and connection with the natural world.

An earlier fundraiser for the 2018 festival went even further in describing its organizational character. Bhakti in the Woods called itself a small, grassroots, non-corporate festival and emphasized community, sound healing, networking with local businesses and yoga organizations, and artists supporting one another.

If you have spent time around Pagan festivals, Rainbow Gatherings, transformational festivals or other alternative spiritual communities, much of that language probably sounds familiar.

That similarity by itself proves absolutely nothing.

But it provides the cultural environment in which the later personal connections make considerably more sense.

Rebecca White Raven Is the Continuity Point

Rebecca is particularly important to understanding this story.

She wasn’t simply somebody who performed at both festivals.

Her biography states that she helped organize Bhakti in the Woods and subsequently initiated Bhakti Bliss when the earlier festival ended.

Rebecca has also been heavily involved in Ottawa’s broader alternative-spirituality scene, organizing chanting, sound healing and ecstatic-dance events.

And this is where our network begins to expand.

Archived social-media material places Rebecca White Raven, Eric Mandala, Kazandra Schellenger and Zu Zen together as hosts of events within that same Ottawa spiritual and musical community.

That is important.

We are no longer looking at:

Bhakti Bliss hires Eric Mandala to perform.

Instead, we can see that some of these relationships predate Bhakti Bliss itself.

Rebecca, Eric and Zu were already operating within overlapping musical and spiritual circles while Rebecca was associated with Bhakti in the Woods.

Enter Eric Mandala

Eric Mandala is probably the most visible connection because his Rainbow associations are unusually easy to document.

Public Ontario Rainbow Family material identifies Eric Mandala in that community, including an older Ontario Rainbow Family post where he is identified as an administrator while discussing plans for a Canadian Rainbow gathering.

The Ontario Rainbow Family’s public material also carries posts promoting music by Eric Mandala & The Rainbow Tribe.

Eric’s Rainbow Tribe project is itself extensively documented.

The 2021 album Warriors of Light Unite is credited to Eric Mandala & The Rainbow Tribe. Its collaborators include Zu Zen, JS “Snowlion” McPherson, Geneviève Grenier and several others. Eric’s own description of the project repeatedly emphasizes unity, peace, collective consciousness and the idea of humanity as one family.

Eric has meanwhile become a recurring Bhakti Bliss performer.

He appeared on the official 2025 Bhakti Bliss lineup, where he was presented as an ecstatic-dance music producer, composer and multi-instrumentalist.

And as of this weekend, August 7–9, 2026, Bhakti Bliss is again promoting Eric Mandala, this time for a kirtan performance built around sacred mantra, music and communal singing.

So Eric’s presence at Bhakti Bliss isn’t a single historical appearance.

It is recurring.

But “The Rainbow Tribe” and “The Rainbow Family” Are Not Automatically the Same Thing

This is where we have to resist an extremely tempting shortcut.

Eric Mandala & The Rainbow Tribe is a musical project.

The Rainbow Family of Living Light is a decentralized countercultural community associated with Rainbow Gatherings.

Those names overlap.

Eric himself overlaps.

Some people around him overlap.

But we cannot simply take everybody credited on a Rainbow Tribe recording and declare that person a member of the Rainbow Family.

That would be guilt by association dressed up as research.

For example, Eric’s recordings document recurring collaborators including Zu Zen, JS McPherson, Kristina Mira, Geneviève Grenier and others.

That proves that they participate in Eric’s musical network.

It does not automatically prove their participation in Rainbow Gatherings.

Those are different propositions and need different evidence.

Zu Zen Is Another Interesting Node

Zu Zen deserves attention because she appears repeatedly across the different networks we are examining.

She appears alongside Rebecca and Eric in older Ottawa event material.

She is one of the musicians credited on Eric Mandala & The Rainbow Tribe’s Warriors of Light Unite.

Her name also appears repeatedly in publicly indexed Ontario Rainbow Family discussions involving gathering locations and community activity.

Again, I want to be precise.

A Facebook search result is not a membership certificate, particularly when discussing a community such as the Rainbow Family that doesn’t really issue membership certificates in the first place.

What it does show is that Eric isn’t the only person whose social network crosses these spaces.

The Network Begins Looking Different

If Eric had appeared once at Bhakti Bliss, the reasonable explanation would be very simple:

A festival hired a musician who happens to have Rainbow Family connections.

Nothing particularly interesting about that.

But that isn’t quite what we have.

Instead, the documented network looks something like this:

Bhakti in the Woods

Rebecca White Raven helps organize the festival

Rebecca is part of a wider Ottawa chanting, ecstatic-dance and spiritual-music community

Rebecca appears in events alongside Eric Mandala and Zu Zen

Eric has a documented Ontario Rainbow Family presence

Eric creates Eric Mandala & The Rainbow Tribe with collaborators including Zu Zen and JS McPherson

Bhakti in the Woods ends after approximately ten years

Rebecca initiates Bhakti Bliss

Eric becomes a recurring Bhakti Bliss performer

That is considerably more substantial than one performer appearing on one festival poster.

Then Bhakti Bliss Moves to Raven’s Knoll

There is yet another layer to the story.

Bhakti Bliss is currently held at Raven’s Knoll near Eganville, Ontario.

The festival’s official material identifies Raven’s Knoll as the location for its August 7–9, 2026 gathering and advertises yoga, workshops, live music, kirtan, sacred sound, meditation, breathwork, dance, vendors and communal bonfires.

That obviously makes Bhakti Bliss particularly interesting to those of us who already follow Ontario Pagan festival culture.

But here again:

Venue is not ownership.

A festival occurring at Raven’s Knoll does not mean Raven’s Knoll created it.

Likewise, performers with Rainbow Family connections appearing at Bhakti Bliss do not mean the Rainbow Family controls it.

Those distinctions become important very quickly when small alternative-spirituality communities overlap as heavily as these ones do.

What Bhakti Bliss Says It Is

Bhakti Bliss describes itself as a not-for-profit organization whose mission is to promote unity and holistic well-being through the practice of Bhakti Yoga. Its festival centres around yoga, workshops, music, kirtan and community activities.

I have found no reliable public evidence showing that the Ontario Rainbow Family owns Bhakti Bliss, operates Bhakti Bliss, controls its committee or determines its programming.

That is an important negative finding.

If somebody asks:

“Is Bhakti Bliss a Rainbow Family festival?”

I don’t think the available evidence justifies answering yes.

But Is There Rainbow Family Influence?

That is a different question.

Influence is difficult to measure because ideas do not travel with ownership papers attached.

But we can talk about social-network overlap.

And there I think the evidence is much stronger.

The continuity between Bhakti in the Woods and Bhakti Bliss is documented through Rebecca.

Rebecca, Eric and Zu operated within overlapping Ottawa music and spiritual circles.

Eric has documented involvement in Ontario Rainbow Family spaces.

Eric’s Rainbow Tribe project includes several musicians from that broader alternative-spirituality scene.

And Eric continues to be featured by Bhakti Bliss.

That is enough for me to say:

Bhakti Bliss exists within a broader spiritual and musical community that significantly overlaps with people and networks associated with Ontario Rainbow culture.

That is different from saying:

Bhakti Bliss is operated by the Rainbow Family.

I currently cannot substantiate the second statement.

Why Does This Overlap Exist?

I don’t think we need a conspiracy theory to explain it.

These communities naturally occupy similar cultural territory.

Bhakti in the Woods described itself using ideas of sacred sound, healing, sustainability, community and creating a new way of relating to one another and the Earth.

Eric’s Rainbow Tribe material talks about unity, peace, spiritual transformation, environmental and social consciousness and humanity becoming one family.

Bhakti Bliss currently promotes devotion, yoga, communal singing, meditation, movement, dance and community connection.

These aren’t identical spiritual systems.

But they provide plenty of common ground.

Musicians move between them.

Workshop facilitators move between them.

People attend several different festivals.

Friendships develop.

One community’s performer becomes another community’s organizer.

Someone who meets people at a Rainbow Gathering may later see them at ecstatic dance, kirtan, a Pagan festival or a yoga gathering.

In relatively small alternative-spirituality communities, that isn’t unusual.

And This Is Why Association Needs to Be Handled Carefully

There is another reason I wanted to write this article.

It demonstrates how easily research can go wrong.

We could find Eric Mandala at Bhakti Bliss.

We could find Eric in Ontario Rainbow Family material.

We could find the words “Rainbow Tribe.”

Then we could announce:

“Aha! Bhakti Bliss is Rainbow Family.”

Except we haven’t actually proved that.

What we have proved is much more nuanced and, frankly, more interesting.

We have found a network.

People.

Relationships.

Shared events.

Shared musicians.

Shared vocabulary.

Shared spiritual interests.

And continuity between one festival and another.

Networks matter.

But networks are not automatically organizations.

So What Can We Actually Say?

Based on the public evidence I have been able to locate, I think these statements are supportable:

Bhakti in the Woods and Bhakti Bliss are directly connected. Rebecca White Raven helped organize Bhakti in the Woods and subsequently initiated Bhakti Bliss after the former ended its approximately ten-year run.

Eric Mandala is not merely an isolated performer who appeared once. He is a recurring Bhakti Bliss participant and has established relationships with people in the wider community around its predecessor.

Eric has a documented relationship with the Ontario Rainbow Family. Publicly indexed Ontario Rainbow Family material identifies him as an administrator and shows his participation in gathering discussions and promotion of Rainbow Tribe projects.

Eric is not the only overlapping social node. Zu Zen appears in the older Rebecca/Eric community, Eric’s Rainbow Tribe music, and Ontario Rainbow Family material.

There is therefore meaningful social overlap between these communities.

But:

I have not found evidence establishing that Bhakti Bliss is owned, operated or controlled by the Rainbow Family.

And until such evidence appears, I don’t think we should say that it is.

The More Interesting Story Is the Ecosystem

Perhaps the mistake is trying to put hard organizational borders around communities that do not behave that way.

The alternative-spirituality world often operates through relationships rather than institutions.

Someone teaches yoga here.

Plays violin there.

Attends a Rainbow Gathering.

Performs at a Pagan festival.

Hosts ecstatic dance in Ottawa.

Leads kirtan somewhere else.

Then appears at another festival five years later.

Follow those relationships long enough and what emerges isn’t necessarily a secret organization.

It is an ecosystem.

Bhakti in the Woods was part of that ecosystem.

Bhakti Bliss appears to remain part of it.

Ontario Rainbow Family is another part of it.

Eric Mandala and his collaborators move through several parts of it.

And now Bhakti Bliss happens at Raven’s Knoll, placing yet another alternative-spirituality community within the same physical landscape.

That, to me, is the story worth watching.

Not because overlapping communities are inherently sinister.

They aren’t.

But because understanding the relationships between communities helps us understand how ideas, practices, people and influence actually move through modern Pagan and alternative-spirituality culture.

Sometimes the lines are organizational.

Sometimes they are spiritual.

Sometimes they are musical.

And sometimes they are simply friendships formed around a campfire many years ago.

The challenge is learning the difference.

References

Bhakti Bliss Yoga & Music Festival. (2025). 2025 lineup.

Bhakti Bliss Yoga & Music Festival. (2026). Bhakti Bliss Yoga & Music Festival.

Mandala, E., & The Rainbow Tribe. (2021). Warriors of Light Unite [Album]. Altar Records.

Mandala, E. (2023). You Are Perfect Just the Way You Are [Recording].

Mandala, E. (2025). May We Remember [Recording].

MountainGoat Yoga. (n.d.). Rebecca.

Ontario Rainbow Family. (2019–2026). Public community posts and gathering discussions.

Yogalaya. (2018). Chant-a-Thon: Bhakti in the Woods fundraiser.

Yogalaya. (2019). Bhakti in the Woods Yoga & Music Festival.